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Bebop Spoken There

Jim Hall: "Won't play loud, can't play fast" - (From one of the great guitarist's business cards brought to our attention by Roly Veitch).

Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

Today Tuesday June 27

Evening
CANCELLED! Atlas - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:15pm. £10/£8 (conc.). JNE 'Women Make Music'.
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Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Maine Street Jazzmen - British Legion Club, West Jesmond Ave., Newcastle NE2 3EX. 8:30pm. £5.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, December 03, 2016

The Italian Job @ The Black Swan November 29

Tommaso Starace Sax, John Turville piano, Al Swainger bass, and Chris Nickolls drums
(Review by Steve H/Photos courtesy of Ken Drew).
This was a marvelously constructed gig: each tune played was inspired by a photograph made by the great Italian photographer Gianni Berengo Gardin. The black and white images of scenes from Italian life were projected onto a screen to one side of the stage. The quartet really managed to musically illustrate the feelings that the images portrayed. For example, the light feel of the soprano saxophone on The Bubble Vendor perfectly captured the feel of the bubbles soaring into the 1960’s Venetian sky. My own particular favourite photograph of the evening, Motion In Stillness, depicts a severe looking priest in Milan (1950) juxtaposed with a blurred spinning roundabout populated by young children enjoying themselves with gay abandon.

All the songs played were originals, apart from the most beautiful interpretation of Ravel’s Adagio Assai from Piano Concerto in G MajorThe accompanying photograph was one of Gardin’s most iconic - shot from above, a single woman dressed in black walks across a snow covered St Marks Square, whilst hundreds of pigeons flying below provide further contrast with the almost deserted square.
Most of the music the quartet played was melodic straight-ahead jazz of a fairly even tempo, however,

both sets ended with two fast and furious pieces, which to be honest, I personally could have done with more of. The first set concluded with Jamme (1978) depicting two adults and a child on a single scooter in the streets of Naples, and the band really seemed to let go encapsulating the feel, wildness and joy of the Italian south. Back To My Roots (1958,) a picture of a swirling Tuscan landscape, saw the band really take it out and concluded a perfectly fabulous and rewarding evening.

Steve H.   

1 comment :

  1. The interpretation of Adagio Assai was probably the best piece, nice slow and well connected to the image of pigeons flying near.

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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