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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, November 24, 2016

Reflections on London 2016

(By Steve T)
In terms of artists featured, it's hard to imagine there's a better festival anywhere in the world. The first time there's been something I'd really like to see every night over the ten: Gil Evans tribute feat Andy Sheppard, Kandace Springs, James Blood Ulmer, Robert Glasper, Dave Holland etc., Christian Scott, Marcus Strickland, William Bell, Murray/Carrington/Allen and Wayne Shorter. And that means missing Garbarek/Gurtu and the Cookers and not including afternoons (including Zoe/Andy) and late night sessions. And some will no doubt be screaming at their computer over someone I've excluded. 
However, for someone who grew up in a small city and lives in a large hamlet 250 miles north, it can all be a bit daunting and there's always a sense of relief at the end of it all: no tickets lost, all trains caught, connections made, venues found.

The problem with the London Jazz Festival, and this may be true of other large cities across the world, is that it isn't what most people think of as a festival, where everything is in a specific locality. Indeed, most of the people you come into contact with aren't part of it and many will be oblivious it's going on.
It's really just hundreds of Jazz and related artists performing in the capital during a particular ten days each November. Moreover there's likely to be a Jazz gig the night before and the night after so it could be argued the dates are arbitrary. Londoners may take it in their stride but to the occasional visitor, and I'm fortunate with a best mate in Camden, it's a bit scary.
Another problem is that each of the venues seem to act independently of each other, with no synchronisation and events announced gradually over the preceding months. Consequently, it's possible to book tickets for one concert only to find something you would prefer to go to announced later for the same date. I'm sure this will have happened last year when Keith Jarrett was parachuted in late in the day.
Perhaps no single venue exists which could cope with the bulk of it, or a large chunk of it to act as a base of operations, or which would be prepared to set ten days aside. The Barbican would be an obvious contender and Rich Mix had a fantastic first weekend, but it's a small venue in Bethnal Green and I don't even know if that's anywhere near the Barbican.
Ronnie Scott’s and Pizza Express are established Jazz venues and quite near to each other, but they're both relatively small and in the centre and busiest area of London.
This was my fifth consecutive year and all of the six main gigs were fantastic. I'll be amazed if next year, there isn't one artist who will convince me to go, or two or three over more or less consecutive nights. However, I confess that if not, there will be an element of relief.

Steve T.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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