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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 11, 2016

Michael Fischer, John Edwards & Mark Sanders @ King’s Hall. Nov 10

Michael Fischer (tenor saxophone), John Edwards (double bass) & Mark Sanders (drums)
(Review by Russell)
Armstrong Building has largely been off limits over the last year or so. A refurbishment programme in advance of next year’s commemorative events marking Dr Martin Luther King’s 1967 visit to Newcastle University to receive an honorary doctorate made access to King’s Hall an impossibility. The popular lunchtime concert series relocated to a city centre site for the duration of the works, and now, at the start of the new academic year, musicians, and audiences, have returned to the historic building on Queen Victoria Road.
Today’s lunchtime treat featured improvising tenor saxophonist Michael Fischer, making his first visit to Newcastle, working in the company of two familiar names – John Edwards, double bass, and Mark Sanders, drums – in a performance spanning 45 minutes.
Concert programme notes stated the trio would be sharing the polylogical moment within the creational process. Would the King’s Hall audience share the experience? A premiere performance awaited, titled:
What, if we would have known, that…?
What, if we would have been interested in…?

For tenor saxophone, double bass and drum set (premier 2016)

That’s ‘premiere’ without the ‘e’…possibly lost somewhere in the polylogical.

Edwards and Sanders have played many gigs on Tyneside. Their sound is known to northeast audiences. What of Fischer? A ‘wired for sound’ tenor saxophone produced distorted vox humana through the reed, and when not blowing, key depressions were clearly heard (at times suspiciously rhythmic!). A bout of sub-Brötzmann tenor, a bout of listening, and that was Michael Fischer.  
Russell.           

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