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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 15, 2016

Kandace Springs @ Rich Mix, Bethnall Green. EFG London Jazz Festival - November 13.


 Kandace Springs (vocal, piano), Jesse Harris (acoustic guitar, vocal), Jesse Beadenberg (acoustic bass), Dylan Tracey (drums).  
(Review by Steve T)
Some readers, including some in the North East, will have seen her support Gregory Porter. Everybody who's seen Gregory Porter, whenever they saw him, tends to think they caught him just in the nick of time, before he cozied up to Jools and the rest of the BBC, playing Glastonbury and generally becoming part of the establishment. I saw him at Cheltenham in 2013 so I didn't see him at Sage Gateshead and haven't seen Kandace.
I was convinced her album was on the revitalised Stax label, so when I read she's on Blue Note I dug the album out and it was. In my defence, the two labels are comparable within soul and Jazz respectively, and it's impossible to say categorically whether she's one or the other, and does it actually make any difference anyway? For what it's worth I think she's a soul singer, but every soul singer comes, at least in part, from Jazz and the best Jazz singers come from the more soulful end of things.
She's less 'down home' than Tasha (daughter of Johnnie) Taylor and less hip-hop than Angie Stone, probably the greatest soul singer of the last quarter century, who turned up on Stax.
Her album Soul Eyes doesn't take your breath away like some debuts but shows great promise for the future. For anyone who knows their soul, think Brenda Russell and if not, Roberta Flack is near enough.
Little Mix is a small venue where Jambone played last year, and this was one of the first gigs of the festival to sell out, prompting her to add another date.
The room was set theatre style and when she arrived on stage and immediately sat at a grand piano stage right, a large number of the audience couldn't see her at all. Some of us made for the far wall securing a rear view which was better than none.
You know you're on to something when the live voice is better than the record. With bass and drums and key songwriter, acoustic guitarist and occasional vocalist Jesse Harris joining them intermittently, his singing affording us an opportunity for a comfort break, she served up confident, accomplished versions of most (perhaps all) of her album, some Oscar Peterson, some Chopin, some Duke, some Norah Jones, some Prince and Someone to Watch Over Me. 
Highlight for me, unsurprisingly, was her fine version of the War classic World is a Ghetto, though their own instrumental remake is better and the Benson version remains the best.
Apparently, she ends every show with Roberta Flack’s The First Time Ever I Saw Your Face and if anybody hasn't seen the Clint Eastwood film Play Misty for Me, you will not be disappointed.  
Etta James At Last as an encore and I don't think she could have pitched it better, the audience lapping it up.
This particular gig wasn't the main reason for this trip to London, the expense and hassle on older, broader, shoulders, but was a fine taster. She warned us not to forget the K or we wouldn't find her. Nobody who's seen her is likely to forget the K and I think we'll be hearing a lot more from her in the coming years.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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