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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Monday November 20

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. Tel: 0191 488 0954. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 25, 2016

James & The Giant Peach @ Northern Stage - November 24.

(Review by Lance/Photo courtesy of Topher McGrillis)
The Metro system had ground to a halt, the buses were emulating sardine cans and taxis were in great demand and yet, thanks to a rather large peach, I was transported, not just to Northern Stage, or even Manhattan, but, for 2 hours, back to a time when I was maybe 8 to 11 years old.
David Wood's adaption of the Roald Dahl children's classic was so well done that it became ageless. Indeed, at times it seemed as though the parents were enjoying it as much, if not more so than their offspring.
The adventures of the reluctant hero James and his insect friends as they crossed the Atlantic in a giant peach were beautifully choreographed. The hoofing (dancing) and the songs, composed by Jeremy Bradfield, were very much in the pre-war Hollywood/Broadway musical tradition and it was, literally a non-stop (apart from the interval} whirl.

In the title role, Stan Hodgson, dressed in short pants as children did in those days, played the part to perfection; the orphan, bullied by his cruel, demanding aunts, who find's escape courtesy of some magical beans - Cinderella meets Jack and the Beanstalk?
An absolute hoot!
And, of course, the music,  All very jazzy played by actors who could play rather than musicians who could act. They did it well with Clare Darcy as Miss Spider blowing some 'hot' trumpet and occasional trombone. Tim Dalling, as Grasshopper, played piano and accordion and had my favourite line - "I'm not a pest, I'm a musician". Lana Walker blew alto and took the part of Miss Ladybird. The story, the music, the dancing and the amazing effects all interacted to make this a memorable evening. In Roald Dahl's hundredth anniversary year I think it is safe to say his granddaughter's husband will most certainly have approved.
The show runs until December 31 but don't wait until then - you may want to see it again, and again, and again.
Lance.

1 comment :

Emma Fisk (on F/b) said...

Already got our tickets....can't wait! The kids will be over the moon to find out Tim Dalling is in the show!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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