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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, November 16, 2016

Finn Whettam Rhodes @ Quakerhouse, Darlington. Nov 13

Abbie Finn (drums), Joe Whettam (guitar) & Alistair Rhodes (bass) + Beth Roberts (alto saxophone), Omar Shade (tenor saxophone), Matthew Robinson (trumpet) &
Tom McDonald (trombone)
(Review by Russell/Photo from archive)
Drummer Abbie Finn came to prominence in the Durham County Youth Big Band. At present studying at Leeds College of Music, Finn recently made a big impression when sitting in at the Jazz Café’s regular jam session up the road in Newcastle. A Darlington Jazz Club engagement at the Quakerhouse is a home turf gig for Finn and no doubt felt relaxed about performing in front of so many familiar faces. Joining the drummer on an early Sunday evening gig were fellow Leeds undergraduates Joe Whettam and Alistair Rhodes.
The upstairs room in the ancient Quakerhouse pub on Mechanics’ Yard filled up with a large turn out there to hear one of their own. Finn Whettam Rhodes – a matter of equal billing – worked as a ‘standards’ trio: Nica’s Dream, Well, You Needn’t, a march-tempo drum pattern introducing On Green Dolphin Street, Finn assured, her bandmates a little tentative. Realising they were among jazz friends, Whettam and Rhodes began to play. Guitarist Joe Whettam, playing a Stratocaster, is a welcome departure from the student guitar shredding fraternity. The lightest of touches, timing, the ability to find space and refrain from filling it with another chord, another note, Whettam impressed. Footprints featured the guitarist and Solar featured the trio, with Alistair Rhodes undemonstrative, occasionally singing along to his bass solo, closing the first set.
Second set: Finn opted to use brushes in the close confines of the award-winning Camra hostelry with an effortless round of fours on Tadd Dameron’s Ladybird. Bassist Rhodes won applause for a considered solo on a seasonal Autumn Leaves and the trio impressed with a delicate reading of All the Things You Are. Darlington’s next generation (a year or two younger than Abbie, Joe and Alistair) sat in on a couple of numbers including There Will Never Be Another You. For the record, the four names to note: Beth Roberts (alto), Omar Shade (tenor), Matthew Robinson (trumpet) and Tom MacDonald (trombone).       
Finn, Whettam and Rhodes are a fine example of jazz education in action. There is little doubt we’ll be hearing more from the trio in future, and, before too long, many others!
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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