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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Wednesday January 18

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Ruth Lambert w. Alan Law Trio - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00. Note earlier start and a small increase in admission.
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Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe, TS16 0JE. 9pm. Free.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 01, 2016

CD Review: Mercury – Sea Speak

Tom Thorp (saxophones & bass clarinet), Richard Jones (Fender Rhodes), Thomas Dibb (guitar), Gavin Barras (bass guitar) & Johnny Hunter (drums) + Mark Lewis (percussion, track 3)
(Review by Russell)
Two Meanings opens Mercury’s album Sea Speak with Tom Thorp’s extended, ethereal tenor saxophone introduction. There is little movement for five minutes, or thereabouts, until Richard Jones’ Fender Rhodes awakens, similarly bassist Gavin Barras slowly but surely enters the conversation. Drummer Johnny Hunter takes the bull by the horns with an energetic workout before the tune dives into the deep from whence it came.

Seven tunes, the second, the eponymous Sea Speak, emerges from the shallows with the soprano playing Tom Thorp soon shrouded in a Fender mist. Bass and drums navigate a steady course until all are submerged once more. It is on soprano that bandleader Thorp stretches out on Winterbrook, an all-too-brief Scatter precedes Thorp’s bass clarinet on Atlas with Thomas Dibb playing a considered, understated solo encouraged all the way by Hunter’s sparkling kit work, as is Thorp having switched to soprano.
Thorp impresses on tenor on the penultimate, medium tempo track – Hanging Gardens – which just about sums up the album: subtle, restrained groove.
All compositions are by Thorp with the exception of the closing track – Phalanx – which is a three-way collaboration between Thorp, Dibb and Jones. It is an all together different affair – a lively, pulsating number with Thorp obliged to ‘push the envelope’ on tenor.      
Russell.    
Sea Speak by Mercury is available at: www.mercurymanchester.co.uk

Mercury will be touring Sea Speak into 2017 with a date at the Jazz Café, Newcastle on Friday 25 November.       

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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