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Bebop Spoken There

Branford Marsalis: "You talk to the old guys about it [52nd St.], and they say the music part was great. Every other aspect of it [pay, hours, conditions] sucked" - (DownBeat, May 2019).

Archive

Today Sunday April 21

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Blues

Beefy La Slap - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Alex Fawcett Band - Tyne Bar, Maling St., Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free

Evening

Jazz

East Coast Jazz - Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free. Monthly jam session.

Swing Manouche - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club. Note new, regular start time.

Blues

Sour Mash Trio - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 06, 2016

Big Muddy @ The Globe Jazz Bar on Bonfire Night

(Review by Ann Alex/photo from archives)
We didn’t need fireworks at the Globe as we had our own in musical form. The horns struck up for a prompt start, soon followed by the whole band doing a couple of tunes that I should have known the names of, good and lively anyway. Jude came on with a rollicking version of Black Velvet, a recent song which sounded so good that it could have been written ages ago, as she explained. And Jude was on top form, spirited, raunchy singing, looking so cool in long black boots and black peaked cap, black and white short skirt and top. (The men were mostly clad in black tops and jeans, I never just describe women’s attire, that’s against Feminist rules).

Brubeck’s Broadway Bossa, not often played, had the brass in harmony and Dave on shaker;  then Dave sang Don’t Get Around Much anymore, a slow, bluesy, speakeasy version led by muted cornet  and Dave asking people to join in, as if it was a folk club, said Jude. No-one did. Jude then told us that I Wish I Could Shimmy Like My Sister Kate, which apparently is not just about a dance, then Gordon played clarinet on a Dixieland number. Fine Brown Frame, sang Jude, and she didn’t mean a picture frame, quite a night for double meanings as she pointed out. This included a distinctive muted trombone solo. To round off the first set, we were treated to a Blues Brothers tune and Dave enthusiastically telling us about Mustang Sally.
A short flute intro heralded the second set which included Come Home Baby; Stolen Moments, with a very smooth trombone and Dave on vocals; Herbie Hancock’s Canteloupe Island with Gordon beating it out on claves. A sad, Got To Get Better, sang with feeling by Jude; Horace Silver’s Song For My Father, actually written for his father; Dave singing a spirited Georgia on my Mind (Hoagy Carmichael); then Gordon struck up on the vocal of Big Noise (From Winetka?), with jungle-like drums and – at last - a skilled bass guitar solo. A great evening’s performance was rounded off with Dave singing Silver’s The Preacher, which is, as we all know, based on the chords of Show Me the Way to Go Home. So home I went, well content after a great night of music.

Ann Alex     
Jude Murphy (vocals, bass guitar, flute); Dave Weisser  (vocals, cornet, shaker); Gordon Brown (alto sax, clarinet, claves); John Haylock (baritone sax); Nigel Robson (piano, trombone); Lionel Hehir (guitar); Stu Holiday (drums).

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