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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Friday January 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
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Evening
Triggerlawross - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.
Zoe Gilby/Mark Williams - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 6pm Free. 0191 2331010.
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Graeme Wilson Quintet - Traveller's Rest, 2 West Auckland Rd., Cockerton, Darlington DL3 8ER. 01325 382576. 8:30pm. £6..
Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7:00pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 06, 2016

Big Muddy @ The Globe Jazz Bar on Bonfire Night

(Review by Ann Alex/photo from archives)
We didn’t need fireworks at the Globe as we had our own in musical form. The horns struck up for a prompt start, soon followed by the whole band doing a couple of tunes that I should have known the names of, good and lively anyway. Jude came on with a rollicking version of Black Velvet, a recent song which sounded so good that it could have been written ages ago, as she explained. And Jude was on top form, spirited, raunchy singing, looking so cool in long black boots and black peaked cap, black and white short skirt and top. (The men were mostly clad in black tops and jeans, I never just describe women’s attire, that’s against Feminist rules).

Brubeck’s Broadway Bossa, not often played, had the brass in harmony and Dave on shaker;  then Dave sang Don’t Get Around Much anymore, a slow, bluesy, speakeasy version led by muted cornet  and Dave asking people to join in, as if it was a folk club, said Jude. No-one did. Jude then told us that I Wish I Could Shimmy Like My Sister Kate, which apparently is not just about a dance, then Gordon played clarinet on a Dixieland number. Fine Brown Frame, sang Jude, and she didn’t mean a picture frame, quite a night for double meanings as she pointed out. This included a distinctive muted trombone solo. To round off the first set, we were treated to a Blues Brothers tune and Dave enthusiastically telling us about Mustang Sally.
A short flute intro heralded the second set which included Come Home Baby; Stolen Moments, with a very smooth trombone and Dave on vocals; Herbie Hancock’s Canteloupe Island with Gordon beating it out on claves. A sad, Got To Get Better, sang with feeling by Jude; Horace Silver’s Song For My Father, actually written for his father; Dave singing a spirited Georgia on my Mind (Hoagy Carmichael); then Gordon struck up on the vocal of Big Noise (From Winetka?), with jungle-like drums and – at last - a skilled bass guitar solo. A great evening’s performance was rounded off with Dave singing Silver’s The Preacher, which is, as we all know, based on the chords of Show Me the Way to Go Home. So home I went, well content after a great night of music.

Ann Alex     
Jude Murphy (vocals, bass guitar, flute); Dave Weisser  (vocals, cornet, shaker); Gordon Brown (alto sax, clarinet, claves); John Haylock (baritone sax); Nigel Robson (piano, trombone); Lionel Hehir (guitar); Stu Holiday (drums).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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