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Bebop Spoken There

Piers Paul Read: "Bruce Reynolds and Biggs shared an interest in Sex, Jazz and Hemingway." - (The Train Robbers by Piers Paul Read, Coronet Books 1979.)

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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Today Tuesday July 17

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Northern Monkey Brass Band - Glenholme Park, New Road, Crook DL15 8LN. 6:00-9:00pm. Free. Big BRASS Bash (Durham Brass Festival).

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. House trio: Steve Glendinning, Paul Grainger, Rob Walker.

Francis Tulip Quartet - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

Reel Brass + Shake ‘Em Up Brass Band - Lanchester, Co. Durham DH7. 6:00-9:00pm. Free. Town centre street performance. Durham Brass Festival (Street Ceilidh).

Hokum Hotshots - Royal Northumberland Yacht Club, South Harbour, Blyth NE24 3PB. 7:00pm. £10.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 06, 2016

Big Muddy @ The Globe Jazz Bar on Bonfire Night

(Review by Ann Alex/photo from archives)
We didn’t need fireworks at the Globe as we had our own in musical form. The horns struck up for a prompt start, soon followed by the whole band doing a couple of tunes that I should have known the names of, good and lively anyway. Jude came on with a rollicking version of Black Velvet, a recent song which sounded so good that it could have been written ages ago, as she explained. And Jude was on top form, spirited, raunchy singing, looking so cool in long black boots and black peaked cap, black and white short skirt and top. (The men were mostly clad in black tops and jeans, I never just describe women’s attire, that’s against Feminist rules).

Brubeck’s Broadway Bossa, not often played, had the brass in harmony and Dave on shaker;  then Dave sang Don’t Get Around Much anymore, a slow, bluesy, speakeasy version led by muted cornet  and Dave asking people to join in, as if it was a folk club, said Jude. No-one did. Jude then told us that I Wish I Could Shimmy Like My Sister Kate, which apparently is not just about a dance, then Gordon played clarinet on a Dixieland number. Fine Brown Frame, sang Jude, and she didn’t mean a picture frame, quite a night for double meanings as she pointed out. This included a distinctive muted trombone solo. To round off the first set, we were treated to a Blues Brothers tune and Dave enthusiastically telling us about Mustang Sally.
A short flute intro heralded the second set which included Come Home Baby; Stolen Moments, with a very smooth trombone and Dave on vocals; Herbie Hancock’s Canteloupe Island with Gordon beating it out on claves. A sad, Got To Get Better, sang with feeling by Jude; Horace Silver’s Song For My Father, actually written for his father; Dave singing a spirited Georgia on my Mind (Hoagy Carmichael); then Gordon struck up on the vocal of Big Noise (From Winetka?), with jungle-like drums and – at last - a skilled bass guitar solo. A great evening’s performance was rounded off with Dave singing Silver’s The Preacher, which is, as we all know, based on the chords of Show Me the Way to Go Home. So home I went, well content after a great night of music.

Ann Alex     
Jude Murphy (vocals, bass guitar, flute); Dave Weisser  (vocals, cornet, shaker); Gordon Brown (alto sax, clarinet, claves); John Haylock (baritone sax); Nigel Robson (piano, trombone); Lionel Hehir (guitar); Stu Holiday (drums).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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