Total Pageviews

Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

-----

McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
-----

Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 10, 2016

CD Review: Quinsin Nachoff - Flux.

Quinsin Nachoff (tenor sax); David Binney (alto sax); Matt Mitchell (keyboards); Kenny Wollesen  (drums).
(Review by Steve H).
Flux refers, not only to the transition between modern jazz and contemporary classical music, but also to the time when composer Nachoff was moving from Toronto to New York City.
The quartet’s structure is odd, two saxophones juxtaposed against keyboards and drums and no bass. 
Band leaders in their own right, the quality of their playing resonates throughout an interesting, bold and complex piece of work.
Tightrope opens with a fairly gentle introduction before the saxes square up to drums and keyboards. The mood moving from ‘gentle and relaxing’, to skronking, cacophonous rock.
Complimentary Offerings has a classical piano solo embedded which leads into a klezmer like sax interlude. 
There’s a pleasant melodic opening to Mind’s Ear 1 that segues into a quiet piano section before reprising the beginning.
A buzzy electronic rat-ta-ta-tat intro to the second lobe, Mind’s Ear 2, leads to wild, uplifting, saxophone domination. The whole quartet contributes to the mayhem with drums and piano thrashing it out to the very end. 
Astral Echo Poem, an anagram of its primary influence Brazilian composer Hermeto Pascoal, is perhaps the most mellow and melodious piece on the album.
Finally Tilted, a harder, rockier, piece reminds us of where we began this listening journey.
Steve H
More info.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!