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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 10, 2016

CD Review: Quinsin Nachoff - Flux.

Quinsin Nachoff (tenor sax); David Binney (alto sax); Matt Mitchell (keyboards); Kenny Wollesen  (drums).
(Review by Steve H).
Flux refers, not only to the transition between modern jazz and contemporary classical music, but also to the time when composer Nachoff was moving from Toronto to New York City.
The quartet’s structure is odd, two saxophones juxtaposed against keyboards and drums and no bass. 
Band leaders in their own right, the quality of their playing resonates throughout an interesting, bold and complex piece of work.
Tightrope opens with a fairly gentle introduction before the saxes square up to drums and keyboards. The mood moving from ‘gentle and relaxing’, to skronking, cacophonous rock.
Complimentary Offerings has a classical piano solo embedded which leads into a klezmer like sax interlude. 
There’s a pleasant melodic opening to Mind’s Ear 1 that segues into a quiet piano section before reprising the beginning.
A buzzy electronic rat-ta-ta-tat intro to the second lobe, Mind’s Ear 2, leads to wild, uplifting, saxophone domination. The whole quartet contributes to the mayhem with drums and piano thrashing it out to the very end. 
Astral Echo Poem, an anagram of its primary influence Brazilian composer Hermeto Pascoal, is perhaps the most mellow and melodious piece on the album.
Finally Tilted, a harder, rockier, piece reminds us of where we began this listening journey.
Steve H
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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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