Total Pageviews

Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Today Thursday November 16

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Ponyland - Bar Loco, 22 Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:30pm. Free.

TBA – Railway, Wellington St., Gateshead. 8pm.

Mary Coughlan - Queen Vic, 78 Victoria Road, South Shields NE33 5PQ. 0191 447 0290. Doors 7:00pm. £18.00 (advance) from The Word (South Shields Library) or by card, tel 0191 427 4597.

Tees Hot Club w. Kevin Eland (trumpet); Donna Hewitt (sax); Graham Thompson (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 02, 2016

CD Review: Verde - The Francisco Pais Lotus Project.

Francisco Pais (guitar, voice), Myron Walden (tenor), Godwin Louis (alto), Julian Shore (piano), Connor Schultze (bass), Ferenc Nemeth (drums). Additional vocals - Genetta Kha, Jacklyn Chan.
(Review by Steve T)
Jazz, rock, prog, country, blues, West Coast psychedelia, acid folk, indie, funk; it may be easier to define what this album isn't.
Unashamed synthesizer lines, that most scorned symbol of classic rock excess, though very little by way of needless flash in the guitar pyrotechnics stakes, which is a breath of fresh air.
The prog thing seems to me to come from fellow Europeans Focus from the Hammond of Thais Van Leer and guitar of Jan Akkerman, which I often hear in backward-looking forward thinking Jazzers, though I'm not sure it's always on a conscious level.

Pais’ Portuguese, another Berklee scholarship, now resides in New York City which must be bursting with guitarists.
On this, his fourth album, he pays tribute to his earliest guitar influences: Robert Johnson, Muddy Waters, Howlin Wolf, Chuck Berry, Clapton and Hendrix.
The two names which sprung to mind on first play were Zappa and Beefheart. I certainly hear the blues strain of the Captain though he's gone back to Beefheart’s main influences, and particularly the Wolf. There's also loads of early Mothers in there but again, it may not be on a conscious level or maybe they've arrived at similar conclusions from comparable influences.
The song suite format 'without edits or isolation' was also prevalent in Frank’s music of that period resulting in a post-modern melting pot, though many have incorporated it since.
Certainly the short dance infused interludes are an addition to the format as I'm familiar with it, and these appear late in the album, interspersed with three songs with a West Coast feel in the vein of Crosby, Stills, Nash, Young or the band America, or perhaps a more British psychedelic folk thing not unlike the Incredible String Band or even pre T Rex Tyrannosaurus Rex, delivered in a frail voice reminiscent of Gerry Garcia or George Harrison but with more vulnerability than any Summer of Love fake hippy.
The sort of thing the post punk rock media in this country might call hippy nonsense.
I tried to find a good example of the lyrics but found that each verse would serve to illustrate the point, so I picked the final verse which is also amongst the shortest:

We lay by our dreams
We exhale a cloud
Find a sunset full of moons
Until the sun shines in our palm.

It's an awful long time since I've heard lyrics in that style though I've no doubt they've never entirely gone away
However, I hope not everyone is put off and some will buy it or download it or whatever; it's a bold and fascinating musical journey. 

Steve T.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!