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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Monday January 16

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
???????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 06, 2016

CD Review: Tom Harrison - Unfolding in Tempo

Tom Harrison (alto); Cleveland Watkiss (voice); Robert Mitchell (pno); Daniel Casimer (bs); David Lyttle (dms).
(Review by Lance).
It might be said that there is little left to say, musically, about the works of Duke Ellington other than reminiscing in tempo. Just about every aspect of the great man's work has been taken apart and reassembled by the good, the bad and the ugly. (Archie Shepp's In a Sentimental Mood being one of the uglier ones.). Fortunately, Harrison manages to negate the latter two aspects in producing his own Ducal Direction. If anything, it relates to what a Mingus plays Ellington might have sounded like - almost!
The idea of using Watkiss' voice adds to the depth of field - alto and voice blend well together, On the Sy Oliver number, The Minor Goes a Muggin' originally recorded by Duke with trombonist Tommy Dorsey's band, Watkiss scats like Cab Calloway and Harrison stretches out drawing the approval of the audience at Pizza Express before making way for Robert Mitchell to do some muggin' of his own.
Take the A Train - Watkiss reminds us, with an out and out scat solo that ticks all the boxes, that there are other first class male jazz singers around apart from Cullen, Elling and Porter.
Listen to Harrison blow - he cuts it! Which, to those of us who'd heard him at last week's Jazz Café gig with the David Lyttle Trio, is old news! Ditto David Lyttle!
Casimer walks Things Ain't etc. in, Watkiss sings and Harrison lopes around over Casimer's bass who, after Harrison has shot down a lot of better-known UK sax players, has his moment too - he takes it. Watkiss returns to bring things back to what they used to be - eventually!
Too many great moments to list them all, suffice to say it's an alternative take on the maestro's music but one I'd like to think that he'd have Loved Madly!
Take the A Train; Things Ain't What They Used to be; The Minor Goes a Muggin'; My Little Brown Book; Solitude; The Intimacy of the Blues; Warm Valley.
The all live recordings were recorded earlier this year at Soho's Pizza Express and the Cheltenham Jazz Festival.
One for the shortlist.
Available October 14 on Lyle Records.
Lance.
Bonus track - Chelsea Bridge.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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