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Bebop Spoken There

Artie Shaw: “I'm not interested in giving people what they want--I'm interested in making music.” – (DownBeat October 15, 1939).

Jason Marsalis: “There's so many places that this music can go and there's a lot yet to be discovered.'” – (DownBeat April 2018)

Today Monday March 19


Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Higher Education & Research Presents: Future Grooves - Sage Gateshead. 12 noon. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.


Higher Education & Research Presents: Future Grooves - Sage Gateshead. 7:00pm. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 31, 2016

CD Review: Nicole Sapho - Tiptoe

Nicole Saphos (bs/vcl); John Lee (gtr); Ele Rubenstein (dms).
(Review by Lance).
One of the highs (and sometimes 'lows') of blogging is the diversity of albums that arrive for review - in particular, those that have crossed the Atlantic (BSH is truly international). However, everything American isn't always 'the berries' and frequently, quite the opposite. Fortunately, there are invariably a few that justify the sender's mailing costs. This is, more or less, just such a one.

Saphos, composer, double bassist, vocalist, is a class act in all three categories. Here she intersperses her own songs along with those by Porter (Just One of Those Things); Berlin (Say it Isn't So); Monk (Ugly Beauty); Artie Shaw's Moonray ; De Paul and Raye's You Don't Know What Love is and Fiona Apple's Hot Knife.
Her own compositions: Broken Ballerina reflects on how ballerinas' careers are cut tragically short by injury and age. Doesn't Do sees the singer grappling with a heart not doing the expected. Custom Memories perhaps suggest that we only remember what we want to remember. I'm not too sure what Lady Hip's Great Escape is all about. It refers to  Tiptoe, the album's title and includes the line Blink twice if you understand - I'm not blinking!
Nevertheless, the lady has an appealing voice, writes good songs and is no slouch on bass with lots of melodic touches.
Couple this with John Lee's impressive solos and Rubenstein's sympathetic drums and you have a very listenable CD. Not a party album, nor one to play when you're down but great if you're somewhere in between.
Self released on November 18.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.