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Bebop Spoken There

Bootsy Collins: "I had no training at all, man. Whatever I heard in my head, that's what came out." - (DownBeat September 2018).

Madeleine Peyroux: "What I'm searching for in singing is the form of communication that doesn't come through language". - (DownBeat September 2018).

Today Sunday August 19

Afternoon

Gala Big Band - Baltic, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. 11:00am.


Lambton Big Band + Lambton Little Band - The Brewery Tap, Great North Eastern Brewing Company, Contract House, Wellington Road, Dunston NE11 9HS. 3:00pm. £5.00. Four bands on bill.


Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 4:00pm. New weekly jam session.


Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Teresa Watson Blues Band - The Schooner, South Shore Road, Gateshead NE8 3AF. Tel: 0191 477 7404. 5:00pm. Free.

Palominos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Zoë Gilby Quartet - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 414 2846. 8:00pm. £5.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 19, 2016

CD Review: Cameron Mizell - Negative Spaces.

Cameron Mizell (Guitar), Brad Whitely (Keyboards), Kenneth Salters (Drums).
(Review by Steve T).
For anyone who's wondering, I can't find anything to relate Cameron to the Mizell Brothers whose production transformed Donald Byrd from one of the great hard bop trumpeters to one of the great Jazz-funk artists.
The Hammond/guitar trio is one of my favoured line-ups in Jazz. Between the white European guitarists who book-end the golden years of Jazz the guitar initially struggled to get heard between saxophones and trumpets (or even piano) but, once satisfactorily amplified, became prone to lapses into easy-listening, often rescued by the famous Hammond organ. Almost every significant Jazz guitarist has put it to use and this is no exception, although Whitely uses a variety of keyboards.

Influences include ambient music and the Jazz end of progressive rock; you'll also hear shades of Bill Frisell and John Schofield as well as seventies fusion guitarists like Eric Gale and Steve Khan who didn't come with a traditional Jazz heritage.
There's also some grungy guitar chords, but thankfully more the Soundgarden/Pearl Jam end of Seattle rock rather than the overly punk-rock influenced Nirvana. 
The title of the album refers to the use of space, though, apart from the absence of fingers flying around the fretboard at the speed of sound, it's not especially different from other guitarist albums.
Some ambiance to start the album which really kicks in with track three but it's at its best when Whitely switches to Hammond on Take the Humble and Get it While You Canthe best track alongside Unfolding with a compelling contrast between syncopated drumming and the beautiful melodious guitar.
It came out on Destiny Records this Tuesday (October 18) and  on CD too which is great for us dinosaurs. 
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance