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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Friday June 22

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Alice Grace Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ushaw Ensemble - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00.

Evening

Emma Fisk & Paul Edis - Ushaw College, Durham DH7 7DW. 7:30pm. £7.00

Julija Jacenaite Trio - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.

Q&A: Eric Burdon & Hilton Valentine - Castle Gate, Melbourne Street, Newcastle NE1 2JQ. Tel: 0191 233 2288. 7:00pm. £30.00. (£50.00. VIP ‘Meet & Greet’ inc glass of fizz & photo with Burdon & Valentine). Tex Leon & Friends will perform at the event.

Stax Brothers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 30, 2016

CD Review: Ben Lee Quintet - In the Tree

Ben Lee (guitars), Chris Young (alto), Richard Foote (trombone), David Ferris (organ), Euan Palmer (drums).
(Review by Steve T)
'Ben studied jazz guitar at Birmingham Conservatoire'. Since he and number one son are now acquainted I should be careful what I say. It's the best album in the world ever.
But seriously, there's an awful lot about this band and this album that I like: guitar, sax, trombone, sax and trombone, Hammond (almost), no piano, no bass - sorry guys.
He's also a fine composer, comparable with anybody around, and a good few years younger than most.
As a guitarist he cites Wes and Schofield as influences and I'd like to add Mike Walker, whether Ben realises it or not, who seems to be impacting on all the young guitarists in this country at the moment.
Away from Jazz, we're told he likes Radiohead and Nirvana, the latter with a track named after them on which he unleashes far more firepower than I've ever heard from Cobain
Further resonances I hear, which he may or may not be aware of, are prog rock, and more firmly within the genre than Radiohead, and seventies fusion, including specifically the funk end of things, and if he and/or trombonist Richard Foote haven't listened to the Crusaders with Wayne Henderson and Fred Wesley’s JBs, they should.
I almost hate to mention the Zee word (yet) again but I seem to hear him everywhere in contemporary Jazz. He asked the question 'does humour belong in music' and answered it in the affirmative, rather too often some might say. I agree and as an old, pre-teenage prog rocker, Genesis and Jethro Tull were also very effective at incorporating humour into their respective musical oeuvres.
Ben introduces some jocularity on the title track with some whistling before it develops into something close to ragtime, which illustrates his flair for melody but, at track two I found it premature.
There's also some joviality on track eight, Kickin' the Chicken and the album closes with some flippancy on Skateboarding on my Own, featuring spoken word, presumably from the man himself.
I hate to mention the Bea word (yet) again but, within mass culture this trend is attributed to Yellow Submarine. As an atheist who thinks the Bea word are more over-rated than Jesus, Yellow Submarine is the second best track on Revolver, and the best track is the only 'serious' record they ever made, I found three light-hearted stabs at humour on a debut album, brave.
Despite this minor reservation, it's a fine album with lots to appeal to guitarists, jazz fans and anyone with an interest in the rich tapestry of contemporary British Jazz. 
Moreover, everybody should buy every album by every guitarist who comes out of Birmingham Conservatoire.
This one's been out a week on Brummy's own Stoney Lane Records and the band are on a limited tour until mid-January.
Steve T.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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