Total Pageviews

Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

-----

James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
-----
Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 23, 2016

Michael Woods @ The Lit & Phil. September 23

Michael Woods (guitar & vocals)
(Review by Russell)
Newcastle based Michael Woods opened and closed his Lit & Phil lunchtime set of fifty minutes playing his six string Taylor acoustic. The regional folklore of Salter’s Bridge to begin, a string of American country blues to follow; Ain’t No Tellin’, Deep Ellum and an excellent take on Blind Blake’s Excuse Me, Mr Phelps? Mississippi Blues (Willie Brown) a final tune, for now, on the Taylor.
Resonator time! Picking up his custom made pride and joy, Woods jumped aboard a fast travellin’ freight train in the company of Leadbelly, Robert Johnson and Blind Boy Fuller by way of Ry Cooder, Keith Richards and Sam Mitchell, singing and playing a bottleneck blues compendium of classic tunes. The softly spoken Woods made the case for ‘a sort of County Durham blues’ courtesy of Tommy Armstrong, circa 1892. Austerity times, 1892, fast forward to 2016, plus ça change? Woods observed that the Rolling Stones’ early, and for some, best material, was all in open G tuning. So, we got Love in Vain, not quite a Get Yer Ya-Ya’s Out! ‘Keef’ and Mick (Taylor) showcase, more like a Michael Woods’ down home Lit and Phil take in the lee of Central Station…When the train left the station…the blue light was my blues…
To close, Martin in hand, the left handed Woods returned to his East Coast Fret album to play an original composition – Blink of an Eye; Tyneside’s heavy engineering skills once more on the world stage designing, constructing and securing the Gateshead Millennium Bridge across the Tyne. Check out Michael Woods at: www.michaelwoodsmusic.com.
Russell.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!