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Bebop Spoken There

Miles Kington: "If the intake of alcohol fails to improve a jazz player's performance, why do jazz listeners think it improves their appreciation?" - (Jazz Express October 1982).

Barbara Jay: "My first gig was at the Astoria, Charing Cross Rd. It seemed like a den of iniquity to me. All the Soho girls were there and the gigolos with their old women paying them to dance..." - (Jazz UK May 2008.)

Archives.

Today Sunday February 26.

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
More Jam - Globe, 11 Railway St., Newcastle NE4 7AD. 3pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.
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Evening
Maine St. Jazzmen - Seaton Sluice Social Club, Collywell Bay Rd., Seaton Sluice NE26 4QZ. 8pm. £4.
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Shaun Henderson Band - Quakerhouse, Mechanics Yard, Darlington. 6pm. £5.
Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SY. 7:30pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 23, 2016

Michael Woods @ The Lit & Phil. September 23

Michael Woods (guitar & vocals)
(Review by Russell)
Newcastle based Michael Woods opened and closed his Lit & Phil lunchtime set of fifty minutes playing his six string Taylor acoustic. The regional folklore of Salter’s Bridge to begin, a string of American country blues to follow; Ain’t No Tellin’, Deep Ellum and an excellent take on Blind Blake’s Excuse Me, Mr Phelps? Mississippi Blues (Willie Brown) a final tune, for now, on the Taylor.
Resonator time! Picking up his custom made pride and joy, Woods jumped aboard a fast travellin’ freight train in the company of Leadbelly, Robert Johnson and Blind Boy Fuller by way of Ry Cooder, Keith Richards and Sam Mitchell, singing and playing a bottleneck blues compendium of classic tunes. The softly spoken Woods made the case for ‘a sort of County Durham blues’ courtesy of Tommy Armstrong, circa 1892. Austerity times, 1892, fast forward to 2016, plus ça change? Woods observed that the Rolling Stones’ early, and for some, best material, was all in open G tuning. So, we got Love in Vain, not quite a Get Yer Ya-Ya’s Out! ‘Keef’ and Mick (Taylor) showcase, more like a Michael Woods’ down home Lit and Phil take in the lee of Central Station…When the train left the station…the blue light was my blues…
To close, Martin in hand, the left handed Woods returned to his East Coast Fret album to play an original composition – Blink of an Eye; Tyneside’s heavy engineering skills once more on the world stage designing, constructing and securing the Gateshead Millennium Bridge across the Tyne. Check out Michael Woods at: www.michaelwoodsmusic.com.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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