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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 05, 2016

Jazz Co-op @ The Globe: Dave Weisser, Alan Law and Others; Sept 3

 Dave Weisser  (vocals, cornet); Alan Law (piano); Jude Murphy (flute); Peter Ninnim (drums)
(Review by Ann Alex)
This was advertised as a duo with Dave and Alan, but it had morphed into a quartet, such is jazz. And the additions were more than welcome.  Jude was brilliant on flute, with both sweet and husky tones, sometimes it seemed like both together, swirling, jabbing, bending, some of the best flute I’ve heard for ages, in both jazz and folk company. Peter kept the beats going in the well-competent manner that we’ve come to depend on. And Alan had been teaching that afternoon at the Sage/ Jazz Co-op workshop: if he was tired it didn’t show as he was playing like the master that he is.
good thing about this gig was the chance to listen to a man singing for a change, as far more women do it locally.  The style was easy, relaxing to hear, with occasional higher pitched tones and well placed scat, with interludes of muted cornet, a wonderfully evocative sound, which reminds me of New York. I’ve never been there, so this is completely from my imagination, such is jazz.
 The playlist included All Blues; Girl Talk (with amended less sexist words); The Life I live; Dindi (with the verse); a slow version of Makin Whoopee; Nature Boy (as requested by someone in the audience); Fool’s Paradise (a warning against drink and fast living); Retro Logic (a Steely Dan song); Estate; Willow Weep, and one or two others that I didn’t catch the titles of. A typical arrangement from the band was the way they tackled Little Sunflower: Cornet and flute played in harmony, gorgeous sound, then the flute went lower, Alan appeared with a lively piano solo, then came the voice with quick flute comments between lines of the song.   
Yet another successful offering from the Jazz Co-op. The next 2 gigs feature younger musicians, The Bradley Johnson Trio next Saturday 10, then the following Thursday 15, we have Not Now Charlie.
Be there!
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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