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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Friday April 28

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Dean Stockdale Trio - Town Hall, Market Place, Bishop Auckland DL14 7NP. 1pm. £5.
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Evening
Emma Fisk's Hot Club du Nord - St. Cuthbert's Centre, Church Hill, Crook DL15 9DN. 7:30pm.
Matt Roberts Sextet - Voodoo Café, Skinnergate, Darlington DL3 7LX. 8pm. £6. 01325 467555. Darlington Jazz Festival.
Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7:00pm.
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Lazy River Jazz Band - Blenkinsopp Castle Inn, Nr. Greenhead CA8 7JS. 8pm. £5. Dancers welcome! 07721 375278 for more details.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 20, 2016

CD Review: Opaluna - Susana Pineda & Luis Salcedo.

OPALUNA
Susana Pineda – vocals; Luis Salcedo – guitar; Jeff Denson – bass, percussion, backing vocals; John Santos – percussion.
(Review by Debra)
Opaluna is the eponymous first album from this young California-based vocal & guitar duo.  Their distinctive collaboration brings together jazz, Latin and a range of other traditional and contemporary music. The project was overseen by Ridgeway Arts founder & bassist Jeff Denson, who is also featured  in Instinto Ornitologico, an atmospheric jazz funk piece, and in  Does it Rain on the Moon?,  a melancholic ballad.  

Comprising predominantly original songs, sung in Spanish & English, Bridges opens the CD with a brief coastal soundscape as a prelude to a breezy acoustic samba funk.  Wayne Shorter’s Mahjong and the original Petalos showcase the fluidity & versatility of Pineda’s voice, often used instrumentally to supplement rhythmic passages, or as an additional melodic line.  Throughout the album there is a strong sense of rhythm, most evident in Baile de Opuestos (Inchworm), featuring John Santos on percussion.  Salcedo’s guitar playing encompasses traditional Latin acoustic, jazz, funk, rock &  folk.  This variety, supplemented by the selective use of electronic sounds and vocal harmonies, provides dynamic depth and adds texture to the intimate vocal-guitar combination.  An original and impressive debut. 
Available on Ridgeway Records.
Debra.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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