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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 22, 2016

CD Review: Joshua Breakstone - The Cello Quartet: 88

Joshua Breakstone (gtr); Lisle Atkinson (bs); Andy Watson (dms); Mike Richmond (cello).
(Review by Lance).
As the review copies arrive in ever increasing numbers I'm enveloped in guilt. My postman is already bent and withered, and he's only a young man. The cat trembles at the sound of the combination of CDs  and Tandoori takeaway/pizza menus that land on the doormat.
I classify the discs - vocals for Ann or Debra; familiar contemporary. names for Russell; slightly outré for Hugh; ultra outré for Steve H and a combination of the lot for Steve T - particularly if there is a guitar in the mix. The rest are pigeon - holed for whichever charity shop I like least. Then there are the ones I know will hit my car stereo.
This is just such a one.
Breakstone is my kind of guitarist - like he swings! Not only that, Mike Richmond on cello also swings and cellos aren't noted for their  jazz pendulum qualities!
Superb playing on compositions by some of the best of the first and second generation of bebop masters. Harold Mabern's The Chief; Sonny Clark's' News For Lulu; Cedar Walton's Black; Soul Eyes from the pen of Mal Waldron; An original by Breakstone; Eighty-Eight; Elmo Hope's Moe Is On; Lolita by Barry Harris; Tadd Dameron's sumptuous If You Could See me Now and Lennie's Pennies - a piece composed by Lennie Tristano and guitarist Billy Bauer, probably back in the early 1950s.
Breakstone does the composers proud. Fluent hornlike soloing interspersed with rich chordal passages mark down Breakstone as a born again Christian [Charlie].
Richman, as I've remarked in previous reviews, occupies the area 'twixt guitar and bass and I'd have loved, by way of contrast, to have heard some bowed cello solos. The rich tonal qualities of the instrument are less obvious in pizzicato mode. Nevertheless, all that aside, this is still a very listenable disc and I know it will be played again and again even though I've now got Jazz FM on the car stereo - in fact, particularly because I've now got Jazz FM on the car stereo!
Available October 21 on Capri Records.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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