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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Wednesday June 20

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

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Cancelled!

Francis Tulip Quartet - Sage Gateshead, Gateshead Quays, Gateshead NE8 2JR. 6:30pm. Concourse gig.

Cancelled!

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Emma Fisk & James Birkett + Hot Club du Nord - Sage Gateshead Sage Gateshead, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30.

Steve Glendinning & Paul Grainger - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. 8pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 31, 2016

Zoë Gilby Quartet @ Ushaw Durham Jazz Festival. August 26

 Zoë Gilby (vocals), Mark Williams (guitar), Andy Champion (double bass) & Richard Brown (drums)
(Review by Russell/photos by John Marlor)
Plush, deep Chesterfields. Plenty of them. Wood panelling, plush, deep carpets, this is the Francis Thompson Room. Impressive, the previous occupants at Ushaw College certainly lived well! Today, the room, with its full bar service, is an ideal, informal gig venue. The Friday evening concert presented one of Britain’s finest jazz singers – Zoë Gilby.
On a warm summer’s evening, Gilby began with a question: Is It Me? The first of several original compositions, it was an indication of the quality of writing and performance that it stood comparison with many tunes considered standards. Gilby has a stage presence of which some aspirants could learn much: a consummate performer, fully engaged with the music making of those sharing the stand with her. Gilby’s established band is top quality: Mark Williams, guitar, is a supreme accompanist and unrivalled in his solo excursions. A bass and drums partnership comprising Andy Champion and Richard Brown is as secure as any on the scene with Champion possessing amazing chops and Brown the epitome of taste and sensitivity.
Phil Lynott’s folksy Dublin came with a story – Gilby happened to meet, as one does, the mother of the late P. Lynott in the Irish capital. A chance meeting, of course, but one that led to the song being part of the set. Another original number, a waltz, In It Together then a reprise of our vocalist’s Pannonica set with a sparkling Straight No Chaser featuring M. Williams and A. Champion, not forgetting Gilby’s tongue-twisting lyrics!
The personal permeated the performance. The story of a Red Headed Girl from the North East of Nowhere opened with Champion’s resonant bass playing and the story unfolded – a time of carefree living, of living the life. The subject of Gilby’s tale just happened to be present on the evening. An interval conversation between Gilby and Ushaw Durham Jazz Festival’s artist in residence Dave Barden established a mutual appreciation of musician Tom Waits. Perhaps T. Waits overheard the conversation…a Barden portrait of the man in question took pride of place in the room as part of an exhibition of the artist’s work!

Second set. Guess what? T. Waits’ Way Down in the Hole! Vocal dexterity, instrumental facility, top class! Top class and tasteful apply to Mark Williams’ playing on Your Words and Gilby’s way-down-the-range vocal. Drummer Richard Brown’s mesmerising intro to Caravan  set up Messrs Williams and Champion to run riot. Thirties noir, all about object d’art, the base desires of the working class filtered through the prism of Patrick Hamilton on Midnight Bell.

And so to the finale, and what a finale. Red City – sand, souk and the sounds of the souk. A fixture in Zoë Gilby’s set, this Ushaw Durham performance was something else. By a County Durham country mile Gilby produced a magnificent, committed performance.           
Russell.            

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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