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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Bebop Spoken Here on hold

As of tonight (November 15) at 21:00 hrs, this site will be temporarily on hold to allow for essential executive maintenance. Some minor activity may be possible during this period and we hope to have normal service resumed as soon as possible.
We apologise for any inconvenience caused.
Lance

Today Thursday November 16

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Ponyland - Bar Loco, 22 Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:30pm. Free.

TBA – Railway, Wellington St., Gateshead. 8pm.

Mary Coughlan - Queen Vic, 78 Victoria Road, South Shields NE33 5PQ. 0191 447 0290. Doors 7:00pm. £18.00 (advance) from The Word (South Shields Library) or by card, tel 0191 427 4597.

Tees Hot Club w. Kevin Eland (trumpet); Donna Hewitt (sax); Graham Thompson (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, August 11, 2016

CD Review: Kristian Borring – Silent Storm

Kristian Borring (guitar), Arthur Lea (piano), Mick Coady (double bass) & Jon Scott (drums)
(Review by Russell)
Guitarist Kristian Borring’s regular working band went into the studio to record this new release on the back of a concert tour and it shows. On Silent Storm the quartet fires on all cylinders from the opening number. Borring wrote all ten tracks on the album, coming in at just under one hour. The first two numbers (When He Goes Out to Play and Ton) take no time getting into the swing of it. Borring plays with a contemporary edge whilst never losing his firm grip on the jazz guitar lexicon.
Mick Coady’s double bass playing and Jon Scott’s drumming are prominent on Ton with a sense of swing at the heart of it all. Borring’s intro to Intro to Islington Twilight gives a clear indication of the guitarist’s appreciation of the great  jazz guitar accompanists such as Jim Hall and Joe Pass. More is the pity that there is but one minute forty-five seconds of it! Islington Twilight itself moves into current groove territory.
Pianist Arthur Lea shines on the swift, swinging Cool It. Borring elects to keep out of the way, the trio swinging, latterly joining proceedings with a beautifully executed solo of his own. The title track – Silent Storm – is a masterful exposition of jazz guitar and the small jazz combo. Borring has certainly found empathetic bandmates in Lea, Coady and Scott. Drummer Scott’s brush work on Silent Storm is particularly impressive. Pianist Lea has a knack of playing the right thing at the right time, exemplified on Nosda, first soloing then comping behind bandleader Borring. Fable closes the CD. Blindfold, one could easily be playing the game of ‘name that tune’. Familiar, yet, it is, of course, a Borring composition.
Kristian Borring’s Silent Storm takes its place on the album shelves alongside recordings by Jim Hall, Barney Kessel and Joe Pass.                          
Russell.
Silent Storm by Kristian Borring is available on Jellymould Jazz (JM-JJ024).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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