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Bebop Spoken There

Michael Feinstein: “Fred Astaire is my favorite singer. To me, he was the perfect interpreter of American popular song.” – (Jazz Times December 2014).

Bud Shank: “Once I saw California – that was it, I stayed.” – (Jazz Journal May 1991)

Archives.

Today Sunday February 26.

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
More Jam - Globe, 11 Railway St., Newcastle NE4 7AD. 3pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.
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Evening
Maine St. Jazzmen - Seaton Sluice Social Club, Collywell Bay Rd., Seaton Sluice NE26 4QZ. 8pm. £4.
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Shaun Henderson Band - Quakerhouse, Mechanics Yard, Darlington. 6pm. £5.
Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SY. 7:30pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, August 11, 2016

CD Review: Kristian Borring – Silent Storm

Kristian Borring (guitar), Arthur Lea (piano), Mick Coady (double bass) & Jon Scott (drums)
(Review by Russell)
Guitarist Kristian Borring’s regular working band went into the studio to record this new release on the back of a concert tour and it shows. On Silent Storm the quartet fires on all cylinders from the opening number. Borring wrote all ten tracks on the album, coming in at just under one hour. The first two numbers (When He Goes Out to Play and Ton) take no time getting into the swing of it. Borring plays with a contemporary edge whilst never losing his firm grip on the jazz guitar lexicon.
Mick Coady’s double bass playing and Jon Scott’s drumming are prominent on Ton with a sense of swing at the heart of it all. Borring’s intro to Intro to Islington Twilight gives a clear indication of the guitarist’s appreciation of the great  jazz guitar accompanists such as Jim Hall and Joe Pass. More is the pity that there is but one minute forty-five seconds of it! Islington Twilight itself moves into current groove territory.
Pianist Arthur Lea shines on the swift, swinging Cool It. Borring elects to keep out of the way, the trio swinging, latterly joining proceedings with a beautifully executed solo of his own. The title track – Silent Storm – is a masterful exposition of jazz guitar and the small jazz combo. Borring has certainly found empathetic bandmates in Lea, Coady and Scott. Drummer Scott’s brush work on Silent Storm is particularly impressive. Pianist Lea has a knack of playing the right thing at the right time, exemplified on Nosda, first soloing then comping behind bandleader Borring. Fable closes the CD. Blindfold, one could easily be playing the game of ‘name that tune’. Familiar, yet, it is, of course, a Borring composition.
Kristian Borring’s Silent Storm takes its place on the album shelves alongside recordings by Jim Hall, Barney Kessel and Joe Pass.                          
Russell.
Silent Storm by Kristian Borring is available on Jellymould Jazz (JM-JJ024).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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