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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 16, 2016

Zhenya Strigalev Trio @ The Globe Jazz Bar, Newcastle - July 15.

Zhenya Strigalev (alto/electronics); Michael Janisch (bs. gtr/electronics); Marc Ayza (dms).
(Review by Lance).
All the tables were occupied, and so they should be, for this cosmopolitan power trio (Russian, American, Spanish respectively) gave a blistering performance that went straight for the jugular almost at once. I say almost as the opening few bars of Moonlight Serenade caused an eyebrow or two to be raised. Moonlight Serenade quickly gave way to that other Glenn Miller favourite - In the Mood. This was an In the Mood the like of which you've never heard before! Frantic, wild - if Miller had played it like this the Luftwaffe would have headed for home and the safety of Beethoven and Brahms without a bomb being dropped - at least not by them!
Strigalev is an amazing alto player taking the instrument to distant galaxies conquering the universe like an improvising Genghis Khan. Spurred on by Janisch and Ayza and aided by delays, reverbs and other forms of electronic wizardry this was truly an 'out of body' experience!
At the finale of the piece, there was a split second of silence before the audience, realising they'd landed safely, erupted with vociferous applause.
And so it continued, free improv. hard bop, fusion, jazz rock, Latin were all in the mix - sometimes simultaneously.
Although Strigalev's English is better than my Russian, indeed some may say it's better than my English, I didn't always catch the titles. There was one about taking off your socks (I think) with lots of electronic effects, a nod towards Sonny Rollins with Some Thomas (sic) a jaunty rhythm with a drum solo that was above and beyond 'jaunty'! and, to close the set, I Am Illegible?
A bottle of Hobgoblin, a word with Michael Janisch who, incidentally, had some awesome moments on bass guitar, raffle drawn, band reassembled then once more we were off to the races.
Georgia In My Mind based, not on Hoagy's classic but on Sweet Georgia Brown. This Georgia Brown certainly "knocked 'em dead". Wondering About Swing began swingingly before moving in a not unpleasant contemporary direction. Others included more originals such as Strange Party; Underage and Happy Professors.
Truly an inspirational gig.
Photos.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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