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Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Thursday October 18

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Gateshead Jazz Appreciation Society - Gateshead Central Library, Prince Consort Road, Gateshead NE8 4LN. 5:00pm. Fortnightly meeting. This week: Artie Shaw Story

Evening

Strictly Smokin’ Big Band - St James’ & St Basil’s Church, Fenham Hall Drive, Fenham, Newcastle NE4 9XP. 7:30pm. £10.00.

Olie Brice Quintet - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. Tel: 091 222 9882. 8:00pm. £10.00. & £8.00. JNE.

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free. Sitters in welcome!

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Richie Emmerson (alto); Dave Stansfield (tenor); Ted Pearce (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Freshers' Jam - Bar Loco, Leazes Park Rd., Newcastle NE1 4PG. 8pm till late. NUJO invite sitters-in to join them for a jam.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 01, 2016

CD Review: Tori Freestone - El Barranco

(Press Release)
Reaching into the heart of improvised music has become second nature to British tenor saxophonist Tori Freestone and perennial colleagues Dave Manington (double bass) and Tim Giles (drums) on their latest Whirlwind release El Barranco. Following their warmly-received 2014 release In the Chop House and subsequent live appearances, the trio have relished the opportunity to reconvene in the studio to record this collection of intuitive explorations (often first takes) of predominantly original compositions, including a pair of London Jazz Festival commissions.
The challenge of the wide-open chordless format is enthusiastically embraced by this trio, offering an improvisational prospect which constantly evolves, thanks to their innate ability to share ideas and spontaneously flex in new directions. Tori Freestone’s characteristically voluble tenor delivery is a key factor in this artistic process: a continuous channel of flowing, tumbling lines arriving from a seemingly limitless, spring-like source; and the quicksilver responses and diversions of both Manington and Giles are so genuinely realised. All of this combines in creating delightful group unpredictability, via a mutual, carefully crafted musical vocabulary, which happily hovers on the periphery of delineated structure.
Freestone clearly revels in the recording aspect: “Whenever we go back into the studio, it’s so great to have a couple of days enjoying making music together. The more we tour in the UK and internationally the more the new ideas start to flow and develop, taking us up onto another level to where we can’t wait to put this down on a new album.”
The concept of creative spaciality is reflected in the saxophonist’s album title and own sleeve illustrations, referencing the beautiful, mountainous terrain of Tenerife – in particular, El Barranco de Masca – which, for many years, has remained especially close to her heart. Thus, the inspiration for opening title track El Barranco arrived almost instantaneously, its airy nonchalance a perfect vehicle for the liquid, intertwined phrasing of tenor and bass, buoyed by an expressive lightness of touch from drummer Tim Giles. The first of two commissions, The Press Gang echoes Freestone's musical roots with a suitably dark interpretation of the gloomy folk-tune tale (reprised as the album's end-piece, in appropriately traditional guise, by way of a haunting vocal-and-violin solo performance); and the full-tilt exuberance of contrasting partner piece Identity Protection further reveals the trio's enthusiastic abandon.
Elsewhere, Dave Manington makes two compositional contributions, the thrummed, ‘60s soul bass riff of his Challenger Deep setting up a distinctively alternative groove; and Quetzalcoatlus (purportedly the largest prehistoric flying animal that ever lived) becomes increasingly wild, jagged and audaciously airborne. Arthur Attman’s familiar standard, All Or Nothing At All, is skilfully threaded between the players, Freestone’s mellow tenor fluidity as heartfelt as ever; and the snappy, complex, changeable moods and rhythms of Cross Wired speak volumes about a trio whose creative understanding (contrary to its title) is so impressively fine-tuned.
Expounding on their now-established approach, Tori says, “We love that the freedom we enjoy creating in our playing can reach people in so many different ways. At one concert, someone who was new to jazz expressed to me that our music had taken them on a journey they never knew they could experience; so it’s lovely that somehow we have formed a language which, rather than being intellectual or inaccessible, can be both contemporary and relevant – and we really look forward to engaging audiences with the new material on this album.”
Tori Freestone’s El Barranco  will be available July 15 = WhirlwindWR4689

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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