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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, July 26, 2016

CD Review: Suzanne Dean – Come To Paradise

Suzanne Dean (composer, background vocals, ukulele); Nicole Zuraitis (lead vocalist); Rich Ruttenberg (keys); Trey Henry (bass); Dean Parks (guitar); John Daversa (trumpet); Bob Sheppard (sop sax); Casey Scheuerell (drums); Scott Breadman (perc)
(Review by Ann Alex)
Suzanne Dean is not the lead vocalist, she’s the composer and lyricist of six original songs influenced by her interest in acoustic folk music of the 60s and 70s prior to her later immersion in jazz. Experienced in playing keyboards, guitar and arranging, Dean is also a music educator at Berklee.  Come to Paradise is the third album that she’s been involved in, and she is aided by seasoned LA session musicians.

An enjoyable CD, but I found the mix of styles a little disconcerting, and I’d have preferred the music to have been all jazz, all folky, or with more in the style of the final exciting track, Ngizohamba (I Will Go) sung in Zulu to the accompaniment of percussion only, mainly African hand drums, very stimulating music which would have had me joining in if I could speak the language.
Come To Paradise, a folksong-like opening, a jazzy piano solo and effective singing from Ms Zuraitis, clear lyrics delivered in an alto voice. What Dreams Are Made Of, is a jazz-like love song featuring trumpet, but the next 3 numbers, Soulstar, On A Cloud, and Dance The Night Away all came across in a more ‘middle of the road’ style of music rather than jazz.
Nothing wrong with that sort of music if that is what you like, but I didn’t expect it on this particular CD.
Ann Alex.
The  album is available on Ship’s Bell Music, from all fine retailers.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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