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Bebop Spoken There

Mundell Lowe: “...we also had to play for a floor show, which consisted of girls dancing--some of 'em were dressed, some of 'em were not so dressed.” – (Crescendo September 1974).

Brew Moore: "I played so many strip joints I was 21 before I saw a naked woman from the front." - (Downbeat July 24, 1969).

Number 24

Bebop Spoken Here is currently listed at number 24 (-2) in the WORLD JAZZ BLOG Rankings!

Today June 23

Evening
Paul Skerritt Band - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. £7 (£6 in advance).
Box Wallet - Billy Bootleggers - 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
SouLutions - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 9pm. £7.
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Hot Club du Nord - Queens Hall, Hexham - SOLD OUT!
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Horace Silverman & the White Gardenias - Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. 7:30pm. £7.50.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 09, 2016

CD Review: Os Clavelitos (Little Carnations) - Arriving

(Review by Ann Alex)
Are you thinking of opening a Spanish restaurant, or maybe having a party? Then this CD would be just right as lively atmospheric background music, then when the guests have gone, you could enjoy listening to it properly, to appreciate the fine singing of Ms Honda, the rich solos from flute and tenor sax, and the Latin rhythms produced by light drums, bongos, bells and the occasional whistle.  Even the sad love songs sound almost happy to the Brazilian grooves of samba, baiao, frevo, bossa, or even bolero and cha-cha.
This is the debut album from Os Clavelitos, a New York City based band, whose members hail from Brazil, Japan and the USA. The aim was to set English lyrics to traditional Brazilian rhythms and to include some folkloric elements.  All the songs are original, with lyrics and tunes composed by Lanni, Kendall and Honda. The lyrics concern romance, loss, nostalgia and a hint of whimsy.  I was struck by the fascinating difference of these lyrics from the swinging songs of the Gasbook.  The latter tend to be witty and concise, whereas these songs are obviously from a different tradition, being wandering narrative tales with many references to the natural world.
I simply relaxed and enjoyed the rhythm based sounds, especially Sands Of Memories, a song of lost love with a gorgeous flute solo; an amusing track called Tom Cruise Samba, in which Tom Cruise is over-praised, a piss-take about celebrity, ending with the words ‘you complete me! Tom Cruise! Jump on my couch Tom Cruise’; and Frost, a slower number with lots of cold images and a shimmering, shivering flute solo.  Other titles are Eunice; Arriving; Profondo Blu; Dewberry; Unrest of Mind; Fiumerapido; and Afrose.
The only downside to the CD concerns the book of lyrics provided, which is in such small print that I had to use a magnifying glass as well as my reading specs to decipher the words of the songs.
Arriving was self-released on June 24 and is available, I'm told, at all fine retailers.  Get a flavour of the music by visiting www.osclavelitos.com
Ann Alex     
Chieko Honda (vocals); Anthony Lanni (guitar, backing vocals); Dan Kendall (bass, cavaquinho, accordion, backing vocals); Livio Almeida (ten/sop saxes, flute); Uka Gameiro (drums, perc);
Arei Sekiguchi (perc), special guests Patrick Lo Re and Tosh Sheridan (backing vocals)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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