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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Tuesday June 19

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. Stu Collingwood, Paul Grainger, Matt MacKellar.

Mark Williams Trio - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 05, 2016

The Safe Sextet (-1) @ The Jazz Co-op. June 4

Don Forbes (trumpet), John Rowland (tenor saxophone), Peter Gilligan (piano), Barry Ascroft (bass) & Russ Morgan (drums)
(Review by Russell/photo courtesy of Minnie Fraser)
The Safe Quintet. It doesn’t have the same ring to it. Four of the Safe Sextet’s regulars –  Gowland, Grainger, Law and Wight – were otherwise engaged…better offers (aka filthy lucre) and a European jazz jolly. One or two deps were drafted in…old  stager Mr Barry Ascroft (the archetypal ‘You hum it, I’ll play it’ piano player) working as a depping bass player on this gig, Safe Sextet alumnus Peter Gilligan (piano), and a half-decent depping drummer, Mr Russ Morgan.
The Globe – Jazz Co-op HQ – was open for business. The downstairs bar resembled Key Largo, not in terms of hoodlums (Edward G & co), nor the reluctant hero (Bogie), rather the numbers…an under-employed bartender and a couple of barflies. The upstairs room, the jazz room, awaited an audience. The Wylam Brewery was the hand-pull. So, Wylam Gold Tankard it was – at a sensible £3.50. a pint.
The Safe Sextet’s soundcheck received a modicum of applause. The audience arrived in ones and twos, Don Forbes & co were ready to go but not before a classic one-liner. The monitor positioned front left of Russ Morgan wasn’t playing ball. Our depping drummer couldn’t hear the piano and, as sound engineer Minnie Fraser tweaked matters technical,   Morgan quipped: Don’t worry, I don’t really want to hear him [Peter Gilligan] anyway!
Softly, as in a Morning Sunrise opened with bandleader Don Forbes going for it. Nardis, then Hocus Pocus featured old school tenor man John Rowland, Buddy Tate-style. Hang on a minute…this wasn’t Emcee 5 material, nor Stan Tracey. Matter not, the tunes were fine and the line-up dandy. The all-seated quintet played for an hour and more before the boss – trumpeter Forbes – suggested a short intermission.
A slightly longer than shorter intermission, a winning raffle ticket (!) and we were ready to go again. A good humoured bunch, the band winged it at times…grab a solo, debate a final chord, it came together well. One time Safe Sextet pianist Barry Ascroft did the job as Baz does – without any fuss, Peter Gilligan sounded great on the house upright and as drummers go, ‘first call’ can be applied to Russ Morgan. A brace of Forbes’ tunes stood comparison; Blues for the Boys, written with ‘the old place’ (25 Pink Lane) in mind  and all who played there, then Rico. Forbes couldn’t remember who Rico was, it didn’t make any difference to Morgan – what a solo! It had been a canny night. The Safe Sextet (-1) went out on Come Rain or Come Shine with a fleeting reference to Singing in the Rain in the final couple of bars.
Another fine trumpet player will be at the Jazz Co-op on Railway Street on Thursday 9th June. Ex-pat American Pete Tanton will be jetting in with his Riviera Quartet. The mode of transport could be pertinent: 'Twas on the 9th of June, 1862, on a summer’s afternoon. Roads in Newcastle city centre will be closed to traffic from 6:30pm to accommodate the several thousands of runners taking part in the Blaydon Road Race beginning at 7:15pm. The elite, the club runner and the straggler will be streaming past the Globe’s front door for the best part of an hour, so if you’re Gannin’ alang Scotswood Road be prepared for a short/long delay.  
Russell.                

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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