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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Monday January 16

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
???????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 06, 2016

Groove-a-matics @ The Tyne Bar. June 5

Mick Cantwell (tenor saxophone, harmonica & vocals), Johnny Whitehill (guitar), John Morgan (bass) & Barry Race (drums)
(Review by Russell/photo from BSH archives).
The Smokin’ Spitfires’ gig at the Cluny wound up sometime after three. A stroll through  the Ouseburn, the burning sun encouraging butterflies to flutter and kingfishers to dart, a secluded haven of biodiversity in action. The Tyne Bar comes into its own on days such as this. Summer had finally arrived. The outdoor stage was in use, today sunstroke could be an issue rather than the usual prospect of hypothermia! An orderly queue formed, and wound its way outside, for the Tyne Bar’s Wylam Brewery house beers. Bar staff didn’t stop all afternoon. Hundreds gathered at the Ouseburn, all tables taken, many took to the adjacent steep grass slopes, the views upstream picture postcard.
On stage, sound check complete, the band ripped into their set. Groove-a-matics are four top-notch musicians: front man Mick Cantwell, the legendary Johnny Whitehill (guitar), rock steady bass man John Morgan and engine room partner Barry Race (drums). There isn’t a better blues band around. Groove-a-matics are an award winning outfit. In 2012 a New Brunswick Blues Band competition victory confirmed what many knew – they are something special. When charismatic vocalist Mick Cantwell sings, you listen. BB King, Muddy Waters, Mick Cantwell – they command that you listen, they sing with authority. To the right of Cantwell is Johnny Whitehill. Way back when, Whitehill played at a long since demolished Broken Doll, a spit and sawdust public house a stone’s throw from the Tyne. Class then, class now. Cantwell referred to Johnny Whitehill as ‘an encyclopedia of the blues’. Playing a vintage Les Paul, standing stock still, this was the ‘real deal’.
Cantwell sang about a Workin’ Class Man, Whitehill played a blues for Peter Green, the band reworked Statesboro Blues. Hoochie Coochie women danced under a late afternoon sun. Number after number met with whoops, hollers and manic whistles. Good Man and Who Stole the Water?, two sets of cracking Ouseburn Delta blues. The crowd wanted an encore, they got one. Still they wanted more, they weren’t going anywhere, so they got more. If you’re yet to hear Groove-a-matics, check ‘em out, they’re the real deal.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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