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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Thursday May 23

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Elina Duni + Trio FCT - Black Swan, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £10.00. & £8.00.

Tees Hot Club w. Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, June 16, 2016

CD Review: Pete Hurt Jazz Orchestra - A New Start

Amazingly, this is the first time Pete Hurt has appeared in these pages. Presumably, his UK parameters have been confined to the 'home counties' rather than the frozen north! Still, better late than never if this album is anything to go by!
A contemporary jazz orchestra rather than a big band. An orchestra that has absorbed the complete gamut of modern jazz from, say, Boyd Raeburn, Gil Evans, George Russell, John Dankworth, Kenny Wheeler to Mike Gibbs and beyond. Superb contemporary arrangements cushioning the soloists in the manner of the aforementioned grandmasters.
Talking soloists, the band, sorry orchestra! is full of them Josephine Davies on tenor, Tori Freestone's soprano solo on Forbidden Fruit, Kate Williams' piano on Sabotage, Owen Dawson, on trombone, Nick Costley-White on guitar.... so much more...  like founder members Henry Lowther on trumpet and Dave Powell anchoring on tuba. A dream album but, why did Pete Hurt wait until the final track before unleashing a solo of his own? I want to hear more of him!
More info/personnel/samples.
Lance.

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