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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Sunday November 19

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Tyne Horns - Exchange, Howard Street, North Shields NE30 1SE. 3:00pm. Free. New saxophone quartet – Louise Lambert (alto & tenor), Tom Adams (alto & soprano), Colin Wise (tenor) & Col Smith (baritone).

Mitch Laddie Band - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free. Blues band.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Arun Ghosh + Steve Ojay - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30. Sage Two.

Big Muddy - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Paul Edis + Early Bird Band - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 416 2846. 8:00pm. £5.00. Edis solo piano set followed by the Early Birds.

Toots and Littlefield - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 21, 2016

Thomas Strønen – Time is a Blind Guide @ Sage Gateshead. May 20

Thomas Strønen (percussion), Kit Downes (piano), Lucy Railton (cello), Håka Aase (violin) & Ole Morten Vågan (double bass)
(Review by Russell/Photo courtesy of Ken Drew).
A busy Friday evening at Sage Gateshead – the Royal Northern Sinfonia in Sage One, the soulful Laura Mvula playing to a standing-room-only crowd in Sage Two and the Anglo-Norwegian project of Thomas Strønen and friends in the Northern Rock Foundation Hall.  
The cabaret-style layout in the flexible studio space of the Northern Rock helps engender an informal air, making the connection between performer and audience more immediate. Percussionist Thomas Strønen’s Time is a Blind Guide project recorded an album a year or so ago and it is only now that the musicians were able to commit to a short tour such is the busy schedule of all concerned. This Sage Gateshead date, the first of four concerts in four days (London, Birmingham and Norwich to follow), renewed Strønen’s connections with the Borough of Gateshead. 
The tall, tanned percussionist recalled a gig at Caedmon Hall with Iain Ballamy in their Food days, long before the Norman Foster-designed Sage Gateshead first laid its foundations. Time is a Blind Guide (its inspiration Anne Michaels' novel Fugitive Pieces) is an elegant conception. Countrymen Håka Aase (violin) and Ole Morten Vågan (double bass) share Strønen’s cool Nordic mindset; still, at rest, listening. The quintet’s British component – Kit Downes (piano) and cellist Lucy Railton – have a clear empathy for the music, similarly stilled, at rest, yet fully engaged.
Baka, The Drowned City and Lost Souls – three pieces, without pause, to open the concert with Strønen’s subsequent observation: Cheerful and positive! The Norwegian was aware that the music was anything but foot-tapping Dr Jazz material. He referred to the current tour as a tour of ‘cultural capitals’. Sage Gateshead, Kings Place, London, CBSO Centre, Birmingham and Norwich Playhouse succeed as bastions of culture making possible gigs such as Strønen’s Time is a Blind Guide. A final piece (Fugitive Pieces) developed from a typical minimalist opening to something approaching sophisticated swing via Strønen’s virtuosic brush work. The Jazz Police went home satisfied.
Tell Tale: David Ferris (piano), James Banner (double bass) & Ric Yarborough (drums)
Earlier, a support set featured the Birmingham-based trio Tell Tale. Recent graduates of the Birmingham Conservatoire hot house, this half hour set proved to be a real bonus. Structured improv (rehearsed to the nth) drawing on Dostoyevsky, Conlon Nancarrow – Numbers (for Conlon), comp. James Banner – and French impressionist painter Corot, Tell Tale maintained the ‘High Art’ connection, a million crochets away from N’Awlins.    
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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