And yet, at times, there was subtlety and even light and shade - at times.
The groove was in, proving that it can mean a thing if it ain't got that swing.
Another winner for Warren
Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)
Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)