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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Monday December 18

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Evening

Monday Music Appreciation Social - Cumberland Arms, James Place St, Byker, Newcastle NE6 1LD. 8:30pm. Free. Duke Ellington: The Nutcracker Suite. CD played in full, in the bar.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 21, 2016

GIJF: Kris Bowers @ Sage Gateshead. April 16

Kris Bowers (piano & keyboards)
(Review by Russell)
Going from one hall to another, from one concert to another, without so much as one minute’s break can make it difficult to adjust to the new sound in a new environment. The Sage One double bill – Courtney Pine-Zoe Rahman and Terence Blanchard – ran over time, meaning that those wishing to attend the late night concert in the Northern Rock Foundation Hall had to dash hoping not to miss the start of Kris Bowers’ set.
Bowers had made a start. Seated at the Fender Rhodes, a Bentley piano to his left and  Nord 2 keyboard to his right, the baseball hat wearing New Yorker, head bowed, took time to construct and loop numerous hip-hop-inflected rhythms. A one-man orchestra, Bowers played a few tunes with more than a nod to indie pop culture. Guitar, bass and drums joined him to continue the indie (band) vibe. As the gig neared its end Bowers dismissed his band mates and sat at the piano. A former winner of the TS Monk prize, Bowers spoke of his love of Monk’s compositions. He couldn’t choose one favourite, said the Jay-Z collaborator, so, over the course of ten minutes or so, Bowers played a selection of Monk melodies. This was the readily identifiable jazz element in the show. Kris Bowers can play, no doubt about it. What he chooses to play is another matter.
Russell

1 comment :

Hugh said...

Yes, when events are as tightly packed in the hours available as at GIJF, it perhaps behoves performers to run to time (much as it goes against the free spirit in jazz!).

The Roberto Fonseca Trio gig, already delayed by 15 minutes because of the Sage One overrun, suffered a stream of latecomers being shown to their seats as Roberto was talking to the audience between numbers. It was most distracting.

Still, at least the Sage staff did not bring them in during the music - which was excellent - as described by Russell elsewhere on this BSH in regard to the concourse Jazz Line Up stage.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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