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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 12, 2016

CD Review: Kat Parra - Songbook of the Américas.

(Review by Debra M ).
San Francisco-based Kat Parra brings together a range of jazz and Latin influences in her fifth album Songbook of the Americas.  It’s all there in the opening Four, played as a mambo, with tight fluid horn lines and original lyrics, including a break into a Spanish ‘coros’. Betty Carter’s characteristically witty phrasing in Please Do Something goes down well as a ‘Cha-Cha’, the arrangement potentially ideal material for Strictly Come Dancing.  
Parra nails her bebop credentials in Wouldn’t It Be Sweet, an outstanding delivery of original lyrics, vocalese & scatting on Charlie Parker’s Au Privave. The rest of the album is composed of predominantly Latin songs, and Parra’s slightly hard-edged tone is well suited to the emotional delivery of Spanish lyrics. The variety of the material is enhanced by subtly dynamic arrangements & contributions from the guest vocalists. A highlight is the ensemble’s version of well-known bolero Besame Mucho, which is refreshed by a slow and atmospheric interpretation featuring Masaru Koga on shakuhachi (a Japanese end-blown flute),  with the acoustic bass & percussion combining particularly effectively.  However, the final track, Mambo Italiano, with lyrics so cheesy they include mozzarella (it’s true!), may be a mambo too far. Fortunately, the track is redeemed by some great horn lines, a fine trombone solo by Wayne Wallace, and the impression that the band clearly had such a good time playing it, along with the rest of the album.   
Debra.
Kat Parra – vocals; Murray Lowe – piano; Marc van Wageningen – electric bass; Aaron Germain – acoustic bass; Sascha Jacobsen – acoustic bass; Colin Douglas – drums; Daniel Foltz – drums; Michael Spiro – percussion; Masaru Koga – alto & soprano sax, shakuhachi, flute, coros; John Worley – trumpet; Wayne Wallace – trombone; Lila Sklar – violin; Seth Asarnow – bandoneon.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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