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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Saturday December 16

Afternoon

?????

Evening

Strictly Smokin’ Big Band -Gosforth Civic Theatre, Regent Farm Road, Gosforth NE3 3HD. Tel: 0191 258 4111. 7:30pm. Second night of two.

An Evening of Swing & Sparkle - National Glass Centre, Liberty Way, Sunderland SR6 0GL. 7:00pm. Tel: 0191 515 5555 (booking essential). £35.00. Rat Pack act, four course meal.

No Time for Jive - The Tannery, Gilesgate, Hexham NE46 3QD. Tel: 01434 605537. 9:00pm. Free.

Lyndon Anderson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Snow Ball - St Mary’s Heritage Centre, Oakwellgate, Gateshead NE8 2AU. Tel: 0191 433 4699. 7:00pm. £19.00. Strictly Speakeasy (swing band) & Lindy jazz dance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 09, 2016

The Safe Sextet @ The Jazz Café - March 8


Don Forbes (tpt); Paul Gowland (alt/ten); John Rowland (ten); Alan Law (pno); Paul Grainger (bs); Paul Wight (dms).
(Review by Lance).
A tribute to north-east legends the Emcee 5, with a nod towards Stan Tracey's Under Milkwood, made this a most satisfying session. Particularly for someone such as myself who remembers hearing the Emcee 5 at the Down Beat club in Carliol Square back in the mists of time.
Don Forbes transcribed the numbers from disc and from memory. He did a grand job of recapturing the feel of the originals. The Emcee 5 compositions, mainly by Mike Carr and Gary Cox, had an identifiable sound and, although there were now six, that sound was still there.
Three Mike Carr pieces: The Bridge; Down Beat After Dark and The One That Got Away set the pace. Tight ensembles and excellent solos passed around the seated players (only Grainger, on bass, remained standing although Rowland did stand up for his solos). It didn't matter.
Unlike so many sessions these days, every number didn't end up with the seemingly endless, and often meaningless, rounds of fours.
Pen Pals and I Lost my Step in Nantucket (knockout Alan Law) brought Under Milkwood into the equation and they did Stan Tracey proud. Dobson's Choice, named after local author and jazz fan, Scott Dobson (Larn Yersel Geordie), brought the first set to a close.
The second innings began with a Stan Tracey bouncer - No Good Boyo (I think) and a balladic piece that had both tenors tugging at the heartstrings.
More Emcee 5 with Bell's Blues, a piece from the latter days of the group that, now, featured Gary Cox on tenor, Mike Carr on organ, Jacky Denton on drums and John McLaughlin on guitar. Tonight it was trumpet and two tenors out front and the 3/4 Scottish flavoured opus swung like Sauchiehall St on New Year's Eve.
Groovin' at the Down Beat featured Paul Wight, Stephenson's Rocket had some keyboard capers from Alan Law and John O' Groats brought the set to a close except it didn't. A jam on There Will Never be Another You almost did until the word got around that it was my birthday the next day and the inevitable Happy Birthday to You followed. Thanks, guys, you made an old man feel even older!
Still it had been a good session. Don Forbes' transcriptions accurate and his trumpet playing very much in the Ian Carr mode. Gowland and Rowland, effective, albeit with contrasting styles. Laws, Grainger and Wight - solid.
The only downside was the poor attendance - they deserved a full house.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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