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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 25, 2016

Not Now Charlie @ The Globe - March 24

Jamie Toms (tenor saxophone), Pawel Jedrzejewski (guitar), Richard Campbell (piano), Liam Gaughan (bass) & Dave McKeague (drums).
(Review by Lance).
A few diehards plus family and friends made up the core of the audience for this Jazz Coop gig - perhaps the outbreak of Lazyitus that Patti referred to in a previous post is turning into an epidemic of pandemic proportions. Those who weren't present last night should contact their GP immediately. Oh no! They can't - it's Good Friday!
Those who were present heard some excellent original material. Contemporary without being extreme.
The strangely named quintet hit the deck running on a strangely named composition - MCT. Composer Toms blew a marathon tenor solo of Gonsalves-like longevity. A sticky G# key notwithstanding, this was the business. Bass guitar and guitar kept the ball in play driven forward by McKeague's forceful drumming and Campbell's frenetic 'comping' this set a high benchmark; not just for themselves but for any band.
Several numbers were from the band's recent album and others were even newer. Some had been played at previous gigs and some hadn't.
Physical featured Toms' Coltranic tenor as well as wild guitar thrashing from Pawel J. Russian Girl Who Speaks English began with a gentle, probing intro from guitar and piano although it didn't stay that way for long!
Floating High, by pianist Campbell was something to behold. Ostensibly in 3 or was it 6 or 27? I wasn't counting just enjoying the triplicity of the meter.
Telling Tales, inexplicitly, had the feel of a cèilidh band who'd od'd on poteen. Possibly the best number of the evening. It's Not me it's You featured Dave McKeague. The north east has a plethora of ace skin men at present and Dave is right up there with them.
And so the evening rolled on. Superb playing by all five. This is a band to catch again and again, unlike the number 12 bus*
Lance.
*I had to forego the last couple of numbers in order to catch the number 12 due at 22:34. It was on time but, despite my outstretched hand, failed to stop. Now I'm all in favour of equal opportunities for the blind but, as bus drivers?

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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