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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 11, 2016

Love For Sale: A Superb Song

(By Ann Alex)
This is the latest in the series of looking at jazz songs in detail.  So far I’ve discussed Crazy Rhythm and No Moon At All, both light-hearted songs of music and love, but Love For Sale is quite different as it deals with a controversial subject which is currently newsworthy.  Jeremy Corbyn has been talking about legalising prostitution recently and the issue nowadays is tied up with our perceptions of child abuse and people trafficking.  I believe that Cole Porter made an important contribution to the debate with this song.
The song appeared in the musical New Yorkers in 1930, sung by Kathryn Crawford, a white woman, who portrayed a street-walker.  It attracted lots of criticism, was banned from the radio, but proved very popular.  You can’t keep a good song down, especially if it’s written by such a talented writer.  Because of the criticism, Elisabeth Welch, a black African American woman, took over the singing of this song. Readers will be able to work out the implications of that for themselves.
Here is the full text, including the verse:

When the only sound on the empty street
Is the heavy tread of the heavy feet
That belong to a lonesome cop
I open shop
The moon so long has been gazing down
On the wayward ways of this wayward town
Her smile becomes a smirk
I go to work

Love for sale
Appetizing young love for sale
Love that’s fresh and still unspoiled
Love that’s only slightly soiled
Love for sale

Who will buy
Who would like to sample my supply?
Who’s prepared to pay the price
For a trip to Paradise?
Love for sale

Let the poets pipe of love
In their childish ways
I know every type of love
Better far than they
If you want the thrill of love
I’ve been through the mill of love
Old Love
New Love
Every love but true love

Love for sale
Appetizing young love for sale
If you want to buy my wares
Follow me and climb the stairs
Love for sale
The verse evokes the atmosphere of a sleazy town really well, we feel the walking rhythm of the cop, and the short lines such as ‘I go to work’ leave us is no doubt about her type of work.  The chorus begins with what would be a street cry, if she was selling flowers.  I say ‘she’ and I think Porter meant the song to be sung by a woman, but actually it could be done by a man, as there are of course male prostitutes.  (That would be a challenge for a male singer!) The song suggests a young woman, which I think adds to the poignancy, a young life spoilt, but maybe she’s lying about her age?
I don’t think there’s any doubt that Porter was on the side of the prostitute, (‘I’ve been through the mill of love’), and in fact I’d go so far as to say that this is a protest song of the first order. ‘For a trip to Paradise’ is highly ironic of course, as the ‘price’ is so high, both in money and other risks. The constant repetition of ‘love for sale’ ensures that we don’t forget the point of the song.  And the line ‘Every love but true love’ must surely be one of the saddest lines in any song in the Gasbook.
The best version of the song I’ve heard is undoubtedly Billie Holiday’s.
The rhymes and repetitions work well and don’t require much explanation.  I’d love to read other people’s views on this song, especially about the actual tune.  I’ve never studied composition, and I’m sure instrumentalists could add useful insights.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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