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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Monday November 20

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. Tel: 0191 488 0954. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 21, 2016

Jazz Co-op @ The Globe: Milne & Johnston Band: March 19

Debra Milne (vocals); Bradley Johnston (guitar); Michael Whent (bass guitar); Mark Robertson (drums)
(Review by Ann Alex/photo courtesy of Eugene Milne).
This was a most enjoyable gig with good performances from all 4 musicians.  Michael Whent did  especially well as he was depping for the regular bassist and, as such, wasn’t familiar with some of the tunes, not  that you’d have guessed.  Bradley was on top form (when is he not?); Debra tackled some difficult songs well, and Mark came up with really classy drumming. What’s not to like?
I was particularly pleased by some of the interesting lyrics, especially in the original songs which had come from the pens of Bradley and Debra.  Golson’s tune Killer Joe became a song with Debra’s words, Relax, and we all did relax on hearing Debra do scatted 4’s with Bradley’s guitar, highly original stuff.  Just You, Just Me included Debra’s vocalese which told us all about improvising; this was followed by a catchy, amusing bebop number [Eddie Jefferson's vocalese version of Miles' solo on So What] explaining how Miles Davis and Coltrane walked offstage to practise more. Too Busy for Thinking was boppy and lively as you’d expect and The Pickup, all about making a date, swung along well.
Standards included Chick Corea's 500 Miles High, with Bradley soloing at the high end of the guitar and call and response between guitar and singer; Gee Baby was a tender love song with gently caressing drums; It Ain’t Necessarily So had Bradley bending notes; also heard were Horace Silver’s Pretty Eye; Too Darn Hot; Born To Be Blue; Desifinado. The final number was a wonderfully slinky Tom Waits song Temptation, with devilish sounding clanky drums, well suited to the subject.   
Another musical treat at the Globe.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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