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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Monday August 21

Radio
Radio 3: Jazz Now. Live from Pizza Express, Soweto Kinch featuring Andy Sheppard/Carla Bley/Steve Swallow. 11pm.
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Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
?????
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 01, 2016

CD Review: Aldevis Tibaldi London Jazz Ensemble - twentysix three

John Eacott (tpt/flug); Aldevis Tibaldi (ten/sop); Paul Taylor (tmb); Liam Dunachie (pno); Richard Sadler (bs); Chris Gale (dms).
(Review by Lance)
Becoming more and more disillusioned by what is passed off as jazz these days a disc such as this gives me hope for the future. 
Imagine Mingus*, Monk** and Ellington***, composing and arranging today and you get an inkling of where this is at. Indeed, the three composers mentioned actually provide the only non-original compositions on the album, the rest coming from the pen of leader Tibaldi.
Taylor's plunger solo on the opening Hunting Goose laid down the band's manifesto which I interpret as, "We will build for the future whilst maintaining the noble traditions of the past."
They do this admirably without, for one moment, suggesting that we are anywhere but in 2016. John Eacott, referred to by our JC in his memorable visit to the '606',  blows some fine trumpet and Tibaldi chips in with impressive solos on both soprano and tenor. The Italian, seemingly, is making waves on the London scene and deservedly so - he's an exciting and lyrical player.
Dunachie, is the kind of piano player that, at one time, seemed to have been washed away with the tide. Not so, he comps and solos - he swings for today. Swinging, as a verb, isn't a dirty word, music wise, on discs like this.
Black and Tan Fantasy respects Duke but doesn't pay lip service. Sadler on bass - bass rhymes with ace - on Black and Tan, he remembers Blanton but his ears are up the road. Gale, not only drums but co-produces along with Tibaldi and the result is nothing less than super satisfying.
My only problem with this excellent album is the title - wtf is twentysix three all about?
Lance.
* Weird Nightmare.
** We See.
*** Black and Tan Fantasy.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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