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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 01, 2016

CD Review: Aldevis Tibaldi London Jazz Ensemble - twentysix three

John Eacott (tpt/flug); Aldevis Tibaldi (ten/sop); Paul Taylor (tmb); Liam Dunachie (pno); Richard Sadler (bs); Chris Gale (dms).
(Review by Lance)
Becoming more and more disillusioned by what is passed off as jazz these days a disc such as this gives me hope for the future. 
Imagine Mingus*, Monk** and Ellington***, composing and arranging today and you get an inkling of where this is at. Indeed, the three composers mentioned actually provide the only non-original compositions on the album, the rest coming from the pen of leader Tibaldi.
Taylor's plunger solo on the opening Hunting Goose laid down the band's manifesto which I interpret as, "We will build for the future whilst maintaining the noble traditions of the past."
They do this admirably without, for one moment, suggesting that we are anywhere but in 2016. John Eacott, referred to by our JC in his memorable visit to the '606',  blows some fine trumpet and Tibaldi chips in with impressive solos on both soprano and tenor. The Italian, seemingly, is making waves on the London scene and deservedly so - he's an exciting and lyrical player.
Dunachie, is the kind of piano player that, at one time, seemed to have been washed away with the tide. Not so, he comps and solos - he swings for today. Swinging, as a verb, isn't a dirty word, music wise, on discs like this.
Black and Tan Fantasy respects Duke but doesn't pay lip service. Sadler on bass - bass rhymes with ace - on Black and Tan, he remembers Blanton but his ears are up the road. Gale, not only drums but co-produces along with Tibaldi and the result is nothing less than super satisfying.
My only problem with this excellent album is the title - wtf is twentysix three all about?
Lance.
* Weird Nightmare.
** We See.
*** Black and Tan Fantasy.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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