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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, December 15, 2015

SHIVER/D'Silva, Pope & Alderson @ Bridge Hotel, Newcastle

SHIVER
Chris Sharkey (guitar); Andy Champion (electric bass); Joost Hendrickx (drums). 
(Review/photos courtesy of Ken Drew)
What can I say?  We’ve seen Shiver in various locations so we know their style, we know what to expect. Or rather, we thought we knew what to expect - would anything be different for a ‘Splinter’ session?
Overall, it began with what appeared to be a slow-burning fuse which gave time for the audience to witness and relish the construction of the multi-layered soundscape which was slowly unfolding in complexity and power.  Bass loops, guitar loops, with adjustments to both yet fully supported throughout by Hendrickx’s own rhythms perfectly complementing the guitar and bass riffs and rhythms.
 Then onto a meandering bass line from Champion, with Sharkey playing a simple melody on a small keyboard nicely enhanced by various effects yet still with the drums evident and constantly busy.  No effects for Hendrickx – mallets, sticks and manual dexterity were used to great effect.  A relatively quiet passage, quite peaceful – but consistent with the evolving soundscape throughout. This was a well disguised segue which took us through the more familiar Shiver territory through further development of the multi-layered sounds they had laid out before us, building to an almighty crescendo resulting from the furious energy which the trio had been holding in reserve.   
We knew what to expect – and they delivered!!  The two segued pieces were expertly delivered in a familiar style, but still a unique performance nonetheless.  We had witnessed and thoroughly enjoyed an awesome sonic powerhouse in action – and loved every second!! 
D’Silva,  Pope  & Alderson
 Karl D’Silva (alto sax); John Pope (bass); Christian Alderson (drums)

The double bill opened with a band who are fresh on the scene. D’Silva’s first performance for Jazz North East on Tyneside, and meeting Alderson for the first time during the sound check. That’s a NEW band playing Improv at its freshest.   Expectations were based on their individual talents – so how would the ensemble gel in just one set?  The first piece was generally quiet with occasional outbursts. The next, extended piece, took time to explore various rhythms & interplay among the band. A final shorter piece was loud and expressive i.e. dynamic! Full of statements with the band members playing as if they had all been here and played before.  Overall, very energetic with melodic and thoughtful passages from D’Silva.  Often driven by the bass, usually rhythmic yet sometimes percussive (not exactly bass-slap) but always supporting and often pushing to explore new areas – quite a driving force!  Alderson’s contribution was consistently evident, again thoughtful passages demonstrated the close interplay within the trio.  Overall a varied 3 pieces, nicely contrasting, and cohesive throughout.  A line-up that works, and works really well!
Photos.
Ken Drew

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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