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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 06, 2015

CD Review: Luca Stoll Quartet - Mono

Luca Stoll (ten); Clovis Nicolas (bs); Tadataka Unno (pno); Peter Van Nostrand (dms).
(Review by Lance).
Stoll, American saxist (now living in Oxford) recorded this with his fellow Americans in Vevey, Switzerland where the quartet were finishing an 8 night run at La Guinguette - a music bar.
The album was recorded live at the venue using a single mike resulting in a 'good old-fashioned mono sound' hence the title. In fact the sound is indeed what we remember from those pre-stereo days. 
A mix of contemporary compositions by Stoll and some choice standards (Old Folks; Get Out of Town; The End of a Love Affair and How Long Has This Been Going On?) make this an album of many delights. Stoll's dry tone, although the notes quote Hawkins and Webster as influences, brings to mind such as Warne Marsh and Spike Robinson. Probing, explorative, no fastest gun in the west showboating, just the lost art of making every note count. Perhaps even a suggestion of James Moody. However, the name game is irrelevant, Stoll is his own man - particularly on the originals.
Unno  solos well and Van Nostrand kicks and explodes when kicking and explosions are needed as well as being featured on End of a Love Affair but Nicolas suffers from the single mike recording. This reminds me of the old days when we'd listen to bootleg records of Parker or Lester, oblivious to the sound quality, just delighted to hear our heroes in situ. Well this quartet have yet to become heroes but, they're on their way and if they, or Luca, record again under studio conditions then the result could be something special. As it is, it's a good introduction to a player(s) who may well become a major force on the UK scene.
There's an interesting concept to the sequence of tracks inasmuch as, after each one, the key signature is raised by either a fifth or a semitone from the track preceeding - running from G major to C minor. I doubt if the average Joe will notice or appreciate it, this average Joe didn't!
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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