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Bebop Spoken There

Camille Thurman: "Their [Tia Fuller & Mimi Jones] advice? If you're going to sing and play, be great at both or don't bother." - (DownBeat November 2018).

Greg Fishman: "I've loved playing music since I was 12, practising 8 hours a day, because I loved doing it every minute." - (DownBeat November 2018.)

Today Monday October 15

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 09, 2015

Tipping Point & Long Lonesome Go @ Bridge Hotel Newcastle - Nov. 8

James Mainwaring (tenor sax); Matthew Bourne (keyboards); Mick Bardon (bass); Joost Hendrickx (drums).
----- 
Paul Taylor (keyboards); Jason Etherington (electric bass); Christian Alderson (drums)
(Review by Steve H/Photos courtesy of Ken Drew).
I’d previously seen Tipping Point at this very same venue earlier this year (reviewed here). I was impressed but not overwhelmed. How things have changed in the last 8 months, for, on Sunday night, they were little short of outstanding. All the individuals played marvellously in their own right but without resorting to set piece solos in the traditional manner. At times it was hard to decide which one of the quartet to focus on such was the skill and finesse on offer from all 4 members. 
Hendickx, cool and calculating on percussion, Bardon, fascinating on bass and Bourne, at times sounding almost ecclesiastical. All led by Skipper Mainwaring who really blew up a storm on tenor and electronics. This band though is certainly more Jazz SAS than ‘Dad’s Army’ and the old cliché about “the whole being greater than the sum of the parts is really worth trotting out again with the caveat that the individual parts were still magnificent. 
The Long Lonesome Go provided the support with their own brand of ‘quantum jazz’- by that I mean they appear to be playing in a parallel universe. The band produced a symphonic electronic soundscape hard to pigeon hole but always quirky and interesting. Their interaction with the audience is so minimal that bass player Etherington had his back to the audience for the entire set and even managed to shuffle off stage at the end without ever facing the paying public. Maybe that is part of the experience they are trying to project, but, call me old fashioned if you must, when I go and see live music it is nice to have some form of communication with those performing. I enjoyed what was produced but next time they play I might well be the Long Lonesome No Go. 
Steve H.   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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