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Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 09, 2015

Tipping Point & Long Lonesome Go @ Bridge Hotel Newcastle - Nov. 8

James Mainwaring (tenor sax); Matthew Bourne (keyboards); Mick Bardon (bass); Joost Hendrickx (drums).
----- 
Paul Taylor (keyboards); Jason Etherington (electric bass); Christian Alderson (drums)
(Review by Steve H/Photos courtesy of Ken Drew).
I’d previously seen Tipping Point at this very same venue earlier this year (reviewed here). I was impressed but not overwhelmed. How things have changed in the last 8 months, for, on Sunday night, they were little short of outstanding. All the individuals played marvellously in their own right but without resorting to set piece solos in the traditional manner. At times it was hard to decide which one of the quartet to focus on such was the skill and finesse on offer from all 4 members. 
Hendickx, cool and calculating on percussion, Bardon, fascinating on bass and Bourne, at times sounding almost ecclesiastical. All led by Skipper Mainwaring who really blew up a storm on tenor and electronics. This band though is certainly more Jazz SAS than ‘Dad’s Army’ and the old cliché about “the whole being greater than the sum of the parts is really worth trotting out again with the caveat that the individual parts were still magnificent. 
The Long Lonesome Go provided the support with their own brand of ‘quantum jazz’- by that I mean they appear to be playing in a parallel universe. The band produced a symphonic electronic soundscape hard to pigeon hole but always quirky and interesting. Their interaction with the audience is so minimal that bass player Etherington had his back to the audience for the entire set and even managed to shuffle off stage at the end without ever facing the paying public. Maybe that is part of the experience they are trying to project, but, call me old fashioned if you must, when I go and see live music it is nice to have some form of communication with those performing. I enjoyed what was produced but next time they play I might well be the Long Lonesome No Go. 
Steve H.   

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