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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, November 13, 2015

Pilgrim St. Set @ Hoochie Coochie - Nov. 12

Richard Burns (tpt); Gary Turner (ten); Paul Edis (pno); Paul Susans (bs gtr); Rob Walker (dms).
(Review by Lance).
I'm running out of superlatives for these guys. What can you say about a band that gets better month by month - particularly when they were something special to begin with!?
Band originals smattered with a couple of contemporary standards. One of this latter category, a Wayne Shorter tune, was dedicated to my humble self. I didn't catch the title but someone suggested that it may have been a reference to the ill-founded rumour of my advancing years. Rubbish! I'll take anyone on at conkers, which just happened to be the name of one of Master Turner's compositions (it may have been Conkers, Conquers or even the Geordie version - Konkas. Whatever, it was a number that kicked up the dust.
A band of many dimensions: Turner looking to reach another galaxy, Burns, by nature, closer to other galaxies, coming down to Earth and burning the sand. Edis, the visionary, a man with a coat of many colours but never a straight jacket. Susans, the rock. Leo Fender surely had Paul in mind even though Paul wasn't born! Then there's Rob Walker - not just a drummer but a composer too! His Autumn Afternoon had me hooked just by the title, although, it has to be said, it began totally boring and ended up totally compelling - best number of the night by a whisker!
Richard Burns' take on The Bill was a car chase, a car crash, an investigation into how to make jazz grab the unusual suspects - subtitle it Sun Hill Boogie.
There was more, so much more, but, just imagine going into Birdland or the Blue Note back in the good old days, maybe you'd find the music at Hoochie on the second Thursday of each month on a par. Not only that, no cover, no minimum and cocktails are 2 for 1. Plus, think of what you're saving on the air fare!
If the rightly acclaimed youth band Jambone can get a slot at this year's EFG London Jazz Festival then the Pilgrim St. Set are worthy of a gig next year.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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