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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 22, 2015

Mesmeric Metamorphic Rolls with Røyst @ Newcastle Jazz Cafe - November 20

Metamorphic Laura Cole (Piano); Kerry Andrew (Voice); Chris Williams (Alto Sax); John Martin (Soprano/Tenor Sax); Oliver Dover (Bass Clarinet); Paul Sandy, Seth Bennet (Double Basses) Tom Greenhalgh (Drums).
Røyst Trio  Kari Bleivik, Ceceilie Giskamo , Maria Jardardotti (voices)
(Review by Steve H/Photo courtesy of Mike Tilley).
The collaboration of Laura Cole’s Metamorphic and Norwegian a capella trio Røyst really rocked Newcastle’s go to place for jazz on a Friday night. This night began with short sets from each band: a very folksy a capella offering from the Nordic trio, and a gutsy couple from the octet - the highlight being a wonderful improvised non-lexical vocal from Kerry Andrew.  
The bands then joined forces for a marvellously extended piece which is hard to categorise as there was so much going on folk, contemporary classical, jazz etc. etc. Whatever it was, it was bloody fantastic and at half time the crowd was left on a high. The second half carried on from where the first left off although this time with shorter pieces written by various members of the cooperative. The combinations of 4 voices, 3 horns, 2 double basses*, drums and a piano creating a fascinating, stimulating and most enjoyable offering. If only Newcastle United’s 11 could produce such magic I wouldn’t have had to suffer such a miserable Saturday afternoon after such a wonderful Friday night. 
Steve H  
* Just like London double decker buses you wait ages for a band featuring 2 double basses to come along and then two come along almost at once  (see Friday’s review Peter Ehwald Double Trouble  here .)  

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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