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Bebop Spoken There

Craig Taborn: "Every sound you make is a choice, and it's a choice made in relation to everything happening around you" - (DownBeat, May 2019).

Archive

Today Thursday April 18

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

DJazz: Durham City Jazz Festival Launch - Courtyard Café, Palace Green Library, Palace Green, Durham DH1 3RN. 7:00pm. £5.00. Featuring Hand to Mouth: Lindsay Hannon & Bradley Johnston.

JR Trio - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student). Line-up: James Romaine (alto sax); Asaph Tal (double bass); Kai Chareunsy (drums). Birmingham Conservatoire student trio. Gig replaces Francis Tulip Quintet (to be rescheduled).

Archipelago + Paul Taylor - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 7:45pm. £8.00. (£6.00. concs). JNE.

Anth Purdy - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Joseph Carville Trio - Bar Loco, Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:00pm. Free. Carville (piano), Allan Peat (double bass), Mark Rayner (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 07, 2015

The Big Score - Jazz on the screen

There are few great Jazz movies - but there are many movies made great by jazz. So quoted Jazz Journalist Steve Voce and this is the basis of what music historian Chris Phipps guided us through this evening.
The room was full and I doubt if anyone left without getting something out of it. Personally, I'd seen many of the movies without the soundtracks impacting upon me (The Man with the Golden Arm being a notable exception). This, I guess, is to the composer/arrangers credit. If the music made such an impact it would detract from the action. The excerpts played certainly made me want to check out the films again.
Chris Phipps spoke about them with both perception and humour but, we only had an hour of what could have been a ten week course!
Also it would have been good to have had actual film clips to go with the music - as in the clip from Payroll which was actually filmed in Newcastle. Instead we had graphic images which, effective initially, paled as the music played. Phipps, fortunately, made up for this with his description of the action and added to it with his often amusing and relevant comments.
Films referred to included The Wild Ones; A Streetcar Named Desire; Bullitt; The Sweet Smell of Success; Anatomy of a Murder (not played!); Payroll; Get Carter; Man With a Golden Arm; Johnny Cool; TV series such as The Avengers; M:Squad; Johnny Staccato.
The most amazing thing was that many of the composers weren't jazz people at all! (Q a notable exception) They just turned up with their pen and manuscript and wrote the soundtrack - often in the face of opposition from the film's directors.
Hollywood and jazz were odd bedfellows but, when the chemistry's right, it's a marriage that has lasted until, and as recently as, Whiplash!
A sequel could well include those many actual on screen moments by the greats.
An enjoyable hour.  
Lance

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