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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 12, 2015

Glasshopper/Triptych @ the Bridge Hotel, Newcastle - Oct. 11

Glasshopper – Jonathan Chung (Ten Sax); James Kitchman (Guitar); Corrie Dick (Drums).
(Review/photos by Ken Drew) 
Second Sunday of the month means it’s Splinter at The Bridge – Two distinct sets, one by a locally-based group and one by an up and coming group from further afield. 
With band members hailing initially from Scotland and Hexham, the young London-based trio arrived at The Bridge as part of a short UK tour celebrating the release of their debut EP ‘Glasshopper’.  The band is a relatively new and exciting instrumental trio, born out of a love for melody and improvisation. Led by saxophonist Jonathan Chung, the trio thrives on the equally creative minds of guitarist James Kitchman and drummer Corrie Dick.  Chung is developing an increasing recognition for both his inspired improvising and his melodic writing. Always with improvisation at the heart of the performance, the band plays as one to reveal the story of each piece, taking the audience on wayward imaginary journeys.
At The Bridge, the band performed Jonathan’s emotionally-sophisticated compositions, seamlessly weaving from moments of quiet sonic contemplation to emphatic but well placed full-on rock infused power-statements.  Inspiring stuff – and well received by the (quite reasonably sized) audience at The Bridge.
Triptych – Paul Edis (p/clt) Rob Walker (d) Paul Susans(b)
Earlier, Triptych took us on an exploration of styles – each member contributing one or more of their own compositions to the diverse repertoire.  They also included original interpretations of old standards, with what is now a characteristic Edis-style twist on the keys.  Also, a slower-paced and evening-mood piece played on clarinet (PE) – a nice change using a sometimes underappreciated instrument – creating a wonderfully peaceful and sombre atmosphere, and nicely done.
Ken.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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