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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 03, 2015

Folk Meets Jazz @ The Globe: October 1

Minnie Fraser (vocals); Carrie McCullock (vocals, guitar); Sheila Herrick (vocals); George Anyfantis (Piano); Ian Forbes (vocals, drums); Michael Woods (vocals, Guitar); Ann Alex (vocals)
(Review by Ann Alex)
Once again, we had a good, friendly, informal time at our monthly coming together of Folk and Jazz.  In fact there were only 2 people who weren’t performers, and I suspect that they were hiding their talents for the present. John Taylor, one of the ‘listeners’, told us that in Spanish music shops that he’d visited, the CD’s are arranged according to which rhythm they represent, rather than artist or genre.  Food for thought – certainly something that tells us about different musical attitudes.
I began with a couple of unaccompanied folk songs.  One was Sally Free And Easy, written by the late Cyril Tawney, a song with the same theme as St James Infirmary Blues, so then we needed cheering up, so along came a trio, Minnie, George and Ian, with a jazzy All Of Me, with skilled improvisation from Minnie on the second chorus; She then taught us all a round, very ably sung by the whole company in 4 parts, just like that!  
Sheila sang songs which were very cleverly connected, both about skylarks, and as you’ve guessed one was the jazz song of that name.  Carrie did 2 of her own quietly reflective songs with guitar, George followed with 2 contrasting tunes, the second a sad but dramatic Greek tune, as I had demanded that he played something from his native land!  Ian treated us to a rather naughty song about boy scouts having to be prepared, and his wonderfully lively version of It Don’t Mean A Thing. By now Michael and ‘listener’ Susan had appeared, so he treated us to Harlem Rag and a song about a highwayman who robbed only rich people.
The second set found me doing an unaccompanied blues with Ian on drums, Minnie sang about her funny Valentine, and a girl band appeared, when Sheila and Carrie joined forces on Moonlight In Vermont.  George brought back memories with Those Were the Days, and Michael was beginning something good as I left for the Metro.  Watch for Michael’s next appearance at the Lit and Phil.
Minnie is in charge for the next session on November 5, Fireworks Day, as I’m away on a blues singing holiday in Yorkshire.  Thanks to everyone who supports this evening, and lots more of you will be welcome next time.  
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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