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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Tuesday August 22

Afternoon
??????
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 25, 2015

Charles Gordon & Kenny Hewitt @ The Jazz Café – October 24

Charles Gordon (keyboards & vocals) & Kenny Hewitt (tenor & soprano saxophones)
(Review by Russell)
Seats were at a premium this busy Saturday night. The Jazz Café did good business early on and it stayed that way. From one week to the next there’s no guessing as to how many people will turn up. Perhaps the prospect of an extra hour in bed (British ‘Summer’ Time ended at 2:00am – did anyone notice a seasonal change?) persuaded some to venture out.
Charles Gordon’s keyboards set-up dwarfed Kenny Hewitt’s low maintenance set-up of a saxophone in hand, another to one side, and a music stand. As one would expect of a long established working duo they started right on time. Spooky and Little Sunflower and some Sting suggested this would be an evening of jazz standards and familiar pop material. The introduction of one or two of Gordon’s compositions added an unexpected dimension. As the pianist’s liking for jazz-pop material is well known, his chosen subject matter came as something of a surprise: D Day and Burning in Burma ranged across global conflict and a never-ending litany of man’s inhumanity to man.
Keyboards and reeds is an established format, well within the capabilities of both Charles Gordon and Kenny Hewitt. It was, therefore, disappointing that the pianist didn’t play the Jazz Café’s upright piano, preferring to distract the listener with the frequent use of drum backing tracks. The venue’s Saturday evening stripped-down duo format offered them the opportunity to stretch out, yet, for the most part, they restrained themselves. This was, for some, a source of frustration. Only occasionally did Hewitt reveal that lurking within is a tenor player of considerable power awaiting emancipation.   
An enjoyable evening concluded with a disturbing, bizarre tale of someone (Mr Gordon?) shouting dementedly: Show me your dog…I wanna kill your dog tonight. Keep taking the medication! 
Photos.
(Russell)    

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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