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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

Archive

Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, October 30, 2015

CD Review: Matthew Stevens – Woodwork

Matthew Stevens (acoustic & electric guitars), Gerald Clayton (keyboards & piano), Vicente Archer (bass), Eric Doob (drums) & Paulo Stagnaro (percussion)
(Review by Russell)
Woodwork is Matthew Stevens’ first album as leader. His pedigree is not in doubt having worked with tenor saxophonist Walter Smith III, Christian Scott and Esperanza Spalding. Described as a ‘stellar’ quintet, the musicians on this recording are ‘first call’ individuals. Stevens chose to record the twelve tracks at the Clubhouse Studio, Rhinebeck, New York over two days in May, 2014. The studio happens to own an acoustic guitar played by the late Pete Seeger. Stevens took the opportunity to play it and it is heard on this recording.
All but one of the tracks are Stevens’ compositions. Distinctive, light-of-touch, with more than a hint of Metheny, the melodies involve all five musicians, none dominate, Stevens a democratic force. 
Ashes (one) is a guitar and percussion-only opening statement. There is a return on the ninth track – Ashes (two) – which sounds like unfinished business; a guitar solo at the heart of it, Stevens flying on acoustic. Star L.A. could be a reference to glittery Los Angeles. Whatever, there is a Larry Carlton West Coast vibe going on, suggesting an epic fusion statement could be about to break out behind Vicente Archer’s in-the-pocket drumming.
David Bowie’s Sunday is a slow-burner. Gerald Clayton opens on piano, Stevens’ etches the melody, guitar low in the mix, the climax electric. Uptown Dance Party and Grown Ups are energetic work outs; tight drum ‘n’ bass work from Eric Doob on the former, the latter featuring an agile Clayton piano solo.
The musicianship on Woodwork is faultless throughout. Stevens is scheduled to tour the UK next year. In the meantime, Woodwork is due for release in early November on the Whirlwind Recordings label (catalogue no.WR4677) run by the indefatigable Michael Janisch. 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Lance