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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 03, 2015

Newcastle University Postgraduate Recitals @ The Jazz Café. September 2

(Review by Russell)
Following the resounding success of staging several undergraduate final recitals earlier this year at the Jazz Café, two postgraduate students chose the Pink Lane venue to give their recitals in the presence of examiners, fellow students and supporters. Drinking tea, coffee or something a little stronger in a real jazz venue beats the cloistered campus set-up every time.
Stelios Arodites (alto saxophone) with Stuart Collingwood (piano)
Alto saxophonist Stelios Arodites walked onto the stage with a supportive pat on the back from accompanist Stuart Collingwood. The duo ready, Arodites embarked upon a journey of twenty minutes or so interpreting Phil Woods’ Sonata for alto saxophone and piano. A challenging work, composed for Victor Morosco’s 1962 solo recital at Carnegie Hall, the piece was originally named Four Moods, although thereafter it became known as Woods’ Sonata.
The composition presented four movements to negotiate with frequent changes in time signature (in places every two or four bars). In addition, some sections were marked free improvisation. Arodites played acoustically; tone rich and unwavering. Bespectacled Collingwood, the assured accompanist, the anchor, the buoy, Arodites’ reassurance. Each movement challenged the examinee, variously playing ‘tonic minor’, ‘modal’ – Arodites’ programme notes were most useful! The audience listened intently, a tension in the air. A ferocious section – alto traversing into gritty, grinding tenor territory – lifted the duo onto a higher plain. Mr Arodites is some player. His postgraduate studies continue into 2016, a further recital is to be scheduled.
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Richard Hammond (vibraphone) MMus Major Creative Project Recital
A familiar figure in and around the music department in Armstrong Building, Newcastle University, a youthful Richard Hammond, with carefully cultivated unruly mop-top, took to the stage in front of a full house. The folk glitterati were out in force (a superstar of the scene took her seat), Hammond was about to play a folk set. The improvised element did materialise, due in no small part to the virtuosic skills of his band mates. Vibraphone, not your regular folk instrument, took centre stage. To Hammond’s left, Callum Younger sat with bohdrán, a bearded rhythm master. The examinee’s presentation Room to grow: An exploration of improvisation and ‘free’ music within folk styles embraced the five string fiddler Robbie Sherratt (improvising for the Gaelic Isles), Alasdair Paul (bouzouki) and a couple of familiar faces – Jessica Bates (piano) and Mercedes Phillips (soprano sax). Ten or so tunes in three quarters of an hour, some of them Hammond compositions, others an eclectic mix including Michael ‘Snarky Puppy’ League’s Shofukan. Hammond referred to jazz players’ abilities to improvise and reharmonise and this has informed his studies. Using four mallets, Hammond’s writing skills opened-up tunes enabling the collective to improvise chorus upon chorus. The audience showed its appreciation. Another success at the Jazz Café.
Hammond’s band: Jessica Bates (piano), Alasdair Paul (bouzouki),  
Mercedes Phillips (soprano sax), Robbie Sherratt (fiddle), Callum Younger (bohdrán).
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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