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Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Saturday July 22

Afternoon
SummerTyne Americana Festival 2017 - Sage Gateshead. Day two of three. Details. From 12 noon all day.
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Evening
Steve Glendinning (solo guitar) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
The Hookahs - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Big Chris Barber Band - Alnwick Playhouse. 7:30pm. £21.50/£20.50.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, September 18, 2015

Michael Woods @ The Lit & Phil. September 18

Michael Woods (guitar & vocals) + Charlie Woods (guitar)
(Review by Russell)
Another Friday lunchtime concert at the Lit & Phil. This one wasn’t jazz, this was folk-blues guitar from Tyneside’s Michael Woods. A return engagement at the Lit & Phil for the finger-picking left hander, his concert schedule sees him perform too infrequently in the region.
A set of classic early country blues and original material drawn from his three-CD back catalogue saw Woods standing throughout, picking his way on a Taylor acoustic and his new pride and joy, a custom made resonator by John Alderson of Leicestershire’s Delta Resonators. 
Blind Blake, Blind Willie McTell, Sleepy John Estes’ Brownsville Blues, an original in homage to Blake Excuse Me, Mr Phelps? (Blake was known by several names throughout his life) particularly effective, the full-to-overflowing Loftus Room audience hanging on each and every note. Woods’ most recent CD East Coast Fret yielded Blink of an Eye, his opening tune of the set, and similarly, Broken Wing Mirrors.
Woods slipped in a ‘non blues’ – When You Wore a Tulip – acknowledging it as more of a popular song of the day with a jazz lineage. The affable Woods clearly relished playing his Delta Resonator. This Lit & Phil concert marked its debut public performance and he stuck with it for several tunes, picks and bottleneck working in sync. As the concert drew to a close Woods returned to his Taylor six-string to play (and sing) Deep Ellum and Call Me the Breeze. The audience wanted another one. Woods invited another left hander – his son Charlie – to join him (on resonator) to go out on Nobody Knows You (When You’re Down and Out). Michael Woods’ new CD is imminent. Bebop Spoken Here will keep you up to date about its release.           
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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