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Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 12, 2015

Mark Pringle's Moveable Feast Trio @ The Jazz Café - Sept. 11


Mark Pringle (pno); James Banner (bs); Euan Palmer (dms).
(Review by Lance)
Jazzmen, like policemen, seem to be getting younger every day. Last night was no exception. The fluorescent yellow jacketed law enforcement officers patrolling the mean streets of Graingertown looked barely older than the wunderkind trio occupying centre stage in the upper room of the Jazz Café. However, if the coppers outside were as capable as the boppers inside then street crime would be a thing of the past.
Not that the the trio were bebop merchants, although their penultimate number, Monk's Let's Cool One, did indicate familiarity with the idiom. Rather, they personified the new breed of college trained jazz people who seemingly produce original compositions by the dozen as well as being able to put their own slant on "The Repertoire".
Pringle composed most of the pieces, several of which were from his recent CD, recorded with a larger ensemble and reviewed here by Russell (CD Review). The inspiration behind these compositions included Debussy, Ravel and Ernest Hemingway. The latter number, The Writer, (I'd have called it Farewell to Brahms) was particularly impressive with some outstanding work on both brushes and sticks from Palmer, The Ravelian item, Maurice, had a Mississippi delta feel to it which, considering Ravel's jazz leanings, was totally appropriate. There were also opuses by Carla Bley, Ornette Coleman and Cole Porter as well as the aforementioned piece by Monk (super bass work by Banner) all given the distinctive Pringle treatment. Gentle, ethereal intros, gradual build ups, almost orgasmic climaxes culminating in either the abrupt finish or the soft descent back down to earth.
These three young men are in the ascendency.
A feast indeed!
Lance. 

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