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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 20, 2015

CD Review: Sam Coombes Trio - Pace of Change

Sam Coombes (alt/sop); Yoni Zelnik (bs); Julien Charlet (dms).
(Review by Lance).
Sam Coombes first appeared on my radar in January 2011 when he played a Splinter gig at the Bridge Hotel. As you will gather from that original review I was impressed. This was a quartet gig with David Patrick (remember that name*) on piano. Piano has been dispensed with in this downsized ensemble making for an even tighter and, paradoxically, freer session.
Coombes remains Konitz inspired but now leans more towards later Konitz with perhaps a dash of Pepper (Art) added - the end product being pure Coombes.
Ten originals penned by Coombes show him to be as competent a composer as a player not least in the oft changed time signatures used. "Each composition uses a minimum of 3 non-standard time signatures - 13/4; 11/4; 9/4; 5/2 etc." (could be the odds for the 3.30 at Kelso!). 
This complexity surely places extra curricular demands on your average jazzer but, one assumes, these guys had been thoroughly woodshedded otherwise the results couldn't have been so perfect. I'm not suggesting that this was meticulously rehearsed - far from it - rather that they acclimatised themselves to the Pace of Change - a title as appropriate as Brubeck's Time Out was when the movement to explore other meters in jazz began. The fluidity of Coombes playing incorporates everything asked of a jazz musician i.e. to swing in a contemporary manner, to be explorative, to display command of his instrument and, most of all, connect with the listener. Coombes connects with this listener!
Zelnik and Charlet, à la basse et batterie respectively, provide a solid foundation. Les deux Frenchmen combine with Coombes to make this a truly integrated Anglais/Francais band. Coombes seems to commute 'twixt London, Edinburgh, Glasgow and Paris for gigs. Methinks there's a place at the epicentre of these cities where he may care to drop by again...
Check Sam Coombes out!
Available on Pol-e-MATH RECORDINGS SCPRO1 and distributed by Discovery Records from Oct. 16.
Lance.
*Sam Coombes is also featured on the David Patrick Octet's jazz version of Stravinsky's Rite of Spring - up for review here shortly.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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