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Bebop Spoken There

Joris Teepe: "The bookers weren't interested in booking the Rashied Ali Quintet without Rashied Ali." - (Downbeat, January 2019).

Today Monday December 10

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Dean Stockdale Trio – Beaumont Hotel, Beaumont St., Hexham NE45 3LT. 01434 602331. 7pm-9pm.

Vieux Carré Jazzmen - Gibside, nr Rowlands Gill, Burnopfield NE16 6BG, Tel: 01207 514827. 7:00pm. ‘Jazzy Christmas Songs & Carols in the Chapel’.

Chris Farlowe and the Norman Beaker Band + Teresa Watson Band - Newcastle Labour Club, Leazes Park Road, Newcastle NE1 4PF. Tel: 0191 261 8646. Doors 7:45pm. £22.00. (£17.00. adv.).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 20, 2015

CD Review: Sam Coombes Trio - Pace of Change

Sam Coombes (alt/sop); Yoni Zelnik (bs); Julien Charlet (dms).
(Review by Lance).
Sam Coombes first appeared on my radar in January 2011 when he played a Splinter gig at the Bridge Hotel. As you will gather from that original review I was impressed. This was a quartet gig with David Patrick (remember that name*) on piano. Piano has been dispensed with in this downsized ensemble making for an even tighter and, paradoxically, freer session.
Coombes remains Konitz inspired but now leans more towards later Konitz with perhaps a dash of Pepper (Art) added - the end product being pure Coombes.
Ten originals penned by Coombes show him to be as competent a composer as a player not least in the oft changed time signatures used. "Each composition uses a minimum of 3 non-standard time signatures - 13/4; 11/4; 9/4; 5/2 etc." (could be the odds for the 3.30 at Kelso!). 
This complexity surely places extra curricular demands on your average jazzer but, one assumes, these guys had been thoroughly woodshedded otherwise the results couldn't have been so perfect. I'm not suggesting that this was meticulously rehearsed - far from it - rather that they acclimatised themselves to the Pace of Change - a title as appropriate as Brubeck's Time Out was when the movement to explore other meters in jazz began. The fluidity of Coombes playing incorporates everything asked of a jazz musician i.e. to swing in a contemporary manner, to be explorative, to display command of his instrument and, most of all, connect with the listener. Coombes connects with this listener!
Zelnik and Charlet, à la basse et batterie respectively, provide a solid foundation. Les deux Frenchmen combine with Coombes to make this a truly integrated Anglais/Francais band. Coombes seems to commute 'twixt London, Edinburgh, Glasgow and Paris for gigs. Methinks there's a place at the epicentre of these cities where he may care to drop by again...
Check Sam Coombes out!
Available on Pol-e-MATH RECORDINGS SCPRO1 and distributed by Discovery Records from Oct. 16.
Lance.
*Sam Coombes is also featured on the David Patrick Octet's jazz version of Stravinsky's Rite of Spring - up for review here shortly.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance